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Artist Spotlight

Andrew Schulz & Charlamagne Tha God Subtly Fire Back at Joe Budden Over Kendrick Lamar Joke Controversy

HonkMagazine

Andrew Schulz is known for stirring up debate with his comedy, and his recent media appearances have added fuel to the fire. While promoting his new Netflix special, “Life,” he chatted with Charlamagne Tha God on the “Brilliant Idiots” podcast about their careers and how to handle criticism. During the conversation, they threw some shade at Joe Budden, who had previously criticized Schulz for his joke about Kendrick Lamar. Budden was quite vocal about his feelings, suggesting that Schulz should be more cautious about making racial jokes, given his background and the type of jokes he tells.

He pointed out that many people believe Schulz doesn’t face the same scrutiny for his jokes about Black culture as he does for his jokes about Jewish culture. In response, Schulz and Charlamagne appeared to brush off Budden’s comments, highlighting their ability to rise above negativity and focus on their work. Some listeners interpreted this as a direct response to Budden, while others viewed it as a broader statement about dealing with public criticism in the entertainment industry. This situation raises bigger questions about comedy, race, and what boundaries, if any, should exist.

Schulz is known for pushing limits in his comedy, but Budden’s remarks resonate with a lot of people who feel that some groups face harsher jokes than others. It makes you think, where should we draw the line between edgy humor and being offensive? And who gets to make that decision? As the conversation continues, it’s evident that Schulz isn’t letting the backlash affect him much. With “Life” available to stream now, he’s focusing on his work, while Charlamagne, a strong supporter of free speech, stands by him. Whether this discussion sparks more debate or fades away in the media remains to be seen. Schulz isn’t backing down from the spotlight anytime soon.

Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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