Music
Azealia Banks Sounds Off, Why Latto Should Reclaim Her Original Name
Azealia Banks unleashed a fiery tirade on X (formerly Twitter) Saturday morning, targeting various pop artists and voicing her thoughts on Latto. Known for her unfiltered opinions, Banks didn’t hold back in her criticism and support.
In response to a fan, Banks began, “She is really missing out on so much iconicness by not being ‘mulatto.’” She continued, “For all that social backlash and for people to be dumb enough not to realize her name is still Mulatto but abbreviated should prove that they stupid internet anger addicts.” Banks argued that critics lacked social insight, making a big deal out of nothing and getting “hoodwinked” in the process.
Banks went on to question the outrage: “PLUS IS HER CALLING HERSELF MULATTO AT ALL EVEN SLIGHTLY AS DENIGRATING AND DETRIMENTAL AS BLACK ARTISTS CALLING THEMSELVES AND THEIR PEERS N*****S ALL DAY?????????????????”
She wrapped up her rant by calling out the hypocrisy: “NO one had any reason to come for her. It was stupid, it was hypocritical, stressful, and delusional to come down on her so hard. If her whiteness was the issue, why are they okay with use of the N word in her songs??? PLEASE BE MULATTO IT’S EPIC SIS.” Fans quickly flooded Banks’ mentions, asking for her thoughts on other artists like Ariana Grande and Ice Spice.
This isn’t the first time Banks has stirred the pot with her controversial takes. Recently, she made waves by criticizing Kendrick Lamar amid his feud with Drake. Stay tuned to Honk Magazine for more updates on Azealia Banks and Latto.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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