Music
Azealia Banks Sounds Off, Why Latto Should Reclaim Her Original Name
Azealia Banks unleashed a fiery tirade on X (formerly Twitter) Saturday morning, targeting various pop artists and voicing her thoughts on Latto. Known for her unfiltered opinions, Banks didn’t hold back in her criticism and support.
In response to a fan, Banks began, “She is really missing out on so much iconicness by not being ‘mulatto.’” She continued, “For all that social backlash and for people to be dumb enough not to realize her name is still Mulatto but abbreviated should prove that they stupid internet anger addicts.” Banks argued that critics lacked social insight, making a big deal out of nothing and getting “hoodwinked” in the process.
Banks went on to question the outrage: “PLUS IS HER CALLING HERSELF MULATTO AT ALL EVEN SLIGHTLY AS DENIGRATING AND DETRIMENTAL AS BLACK ARTISTS CALLING THEMSELVES AND THEIR PEERS N*****S ALL DAY?????????????????”
She wrapped up her rant by calling out the hypocrisy: “NO one had any reason to come for her. It was stupid, it was hypocritical, stressful, and delusional to come down on her so hard. If her whiteness was the issue, why are they okay with use of the N word in her songs??? PLEASE BE MULATTO IT’S EPIC SIS.” Fans quickly flooded Banks’ mentions, asking for her thoughts on other artists like Ariana Grande and Ice Spice.
This isn’t the first time Banks has stirred the pot with her controversial takes. Recently, she made waves by criticizing Kendrick Lamar amid his feud with Drake. Stay tuned to Honk Magazine for more updates on Azealia Banks and Latto.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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