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Benzino Unleashes Years Of Resentment Upon Eminem
Though the bloody feud transpired nearly two decades ago, many fans still look back fondly on the notorious war between Eminem and Benzino. Despite the mental scars it may have left, given the sheer animosity and disdain both men had for one another — not to mention the increased tension when Benzino joined forces with Ja Rule and Murda Inc — the incendiary music that emerged from the Shady camp remains beloved by Em’s fans to this day.
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Unfortunately, the bad blood that exists between Eminem and Benzino continues to flow, with the latter having recently emerged to voice years of pent up resentment in a since-deleted Twitter rant. It’s unclear as to what served to send Zino into a spiraling rage, but based on the inciting tweet, the Stans may very well have provoked him. “Face it stans y’all will always be hip hop goofiest most out of touch fan base Rolling on the floor laughing straight bozos,” he writes, before later voicing that “all Stans are ugly awkward pussies that aren’t accepted in the real black culture because of how goofy and out of touch they are in the streets.”
While his anger originally appeared aimed at the Stans, he eventually brought it back to Eminem, whom he labeled “King Pussy,” the leader of the motley pack. “All they do is worship a corny tailed park trash kkkrakkker who puts words together and knows nothing about our culture. He rhymes masturbator with elevator and all the corny white people go crazy, they goofy ass. He dresses in drag, let’s men out their bare asses in his face.” Though the tweets have been scrubbed, relics of the messages can be seen right here.
Once the backlash began to roll in, popular reaction streamer NoLifeShaq — a noted Eminem fan who once elicited a rare tweet from Slim himself — found himself embroiled in the fray. Before long, Benzino was unleashing a hateful speech against him, going so far as to call him Eminem’s “slave” and implying he’s “tap-dancing for the red necks.” Shaq wasted little time in retaliating, and his many fans swiftly went to war with the former Love & Hip-Hop star. Before long, Zino had cleared his timeline of his most disrespectful messages, with only the original anti-Stan message remaining; NoLifeShaq took to Instagram to declare a swift and decisive victory. “We trolled this man so much, he started deleting Tweets,” reflects Shaq, reflecting on his recently inherited beef.
For those interested in exploring this one further, be sure to check out NoLifeShaq’s video recap of the situation below. It’s not entirely unexpected to see Benzino continuing to harbor ill-will toward Em, especially following a few namedrops on “Killshot” and “Greatest.” Still, it’s hard not to think back to Em’s closing line on “Nail In The Coffin,” which remains particularly relevant in this situation: let it go dawg, it’s over.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
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Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”
Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.
It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.
It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.
Connect with Deaf Radio on Spotify || Instagram || Facebook || Youtube
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