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Blimes And Gab Set The City On Fire In Their Apocalyptic ‘Baptism’ Video

The two warrior women stalk the streets of Los Angeles as they spit heat and flames fall from the skies. …

Fiery rap duo Blimes And Gab weren’t going to let 2020 go without releasing one last video from their acclaimed debut album Talk About It. But this time, instead of going for cheeky fun like the “Shellys (It’s Chill)” video or throwing a house party as they did in their lighthearted “Feelin It” video, in their new video for “Baptism” they bring the fire and brimstone, hearkening back to their days battle rapping and breaking hearts.

As the intro track from Talk About it, “Baptism” set the vibe early, letting fans know that these two artists are not here to play. The video is likewise deadly serious, as they march through the streets of Los Angeles dressed like the warfaring survivors of an apocalyptic movie while fire falls from the sky. They spit heat, too, with punchlines that land like bombs as meteorites do the same around them over the thundering drums.

Back in July, the duo told Uproxx what sets them apart and made 2020 their most successful year yet. “Part of our success has been from staying true to ourselves, and we both feel really strongly about staying true to ourselves,” said Blimes. “We both feel really strongly about dressing the way we want to dress, being comfortable, and sometimes that’s sexy. Sometimes that’s feminine. Sometimes that’s tomboy. Sometimes that’s comfortable. We know that there’s so many standards placed on women, and we really, really, really, really want to go against the external standards. You’re not going to tell me how to dress. You’re not going to tell me how I need to show up. I am the gatekeeper of my own personal comfort. I’m the gatekeeper of my own personal style. And so that’s really important to us in terms of being women.”

Watch the “Baptism” video above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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