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Brian Strand’s “Not Good Enough,” a Nostalgic Reverie with Rock-Pop Modern Twist

Brian Strand, hailing from the vibrant music scene of Sacramento, has gifted us with his latest sonic creation, “Not Good Enough.” If this single is any indication, we’re in for a musical journey that transcends time and genre boundaries, blending the nostalgia of 90s rock with a contemporary pop-rock twist. As the third single from his debut solo album, released on June 16, this track is a delightful concoction of catchy melodies, introspective lyrics, and a rhythmic groove bound to get you moving.

Recorded and engineered in Brian’s home studio in sunny California, the song’s production is a testament to his craftsmanship. Mastered by Dan Menapace and remastered by Billy Farmer of In A Box Records, “Not Good Enough” is a testament to the collaborative prowess of these skilled professionals.

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The song takes you on a sonic rollercoaster, evoking memories of classic pop-rock with its pounding drums and heavy guitar riffs. However, the infusion of modern elements, like electronic rhythms and synths, sets it apart, giving it a unique contemporary edge. This fusion showcases Brian Strand’s versatility as an artist, firmly establishing him as a vibrant gem in today’s music scene.

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Brian’s lyrical finesse shines through in “Not Good Enough” as he explores themes of self-doubt and insecurity. In a world where we often seek validation from others, especially in artistry, this song delves into the universal struggle of feeling inadequate. It’s a theme that resonates with many, whether it’s the pursuit of success or simply trying to connect with others on a deeper level.

Brian’s music is heavily influenced by artists like Nine Inch Nails, Elliott Smith, AJR, and Billie Eilish. However, in his song “Not Good Enough,” you can hear a sound that is distinctly his own. The song’s catchy melody takes you back to the 2000s-era boy bands, adding a charmingly nostalgic touch to the deeper themes of the music. And just when you think you know what to expect, the bass and drums kick in, and you are pleasantly surprised by a subtle hint of Gorillaz that adds a delightful dimension to the track.

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In a world where music often feels formulaic, mirroring our innermost thoughts and feelings, “Not Good Enough” is a relatable anthem for anyone grappling with self-doubt. It’s a refreshing gust of creativity that reminds us that, despite our insecurities, we can still find our groove and create something truly exceptional.

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Brian Strand’s “Not Good Enough” is a modern take on classic rock-pop that you should definitely check out. With this single, Brian has firmly established himself as a talented artist to watch in his contemporary music, where true artistry has no boundaries. Take advantage of this gem; it’s a perfect addition to your summer playlist.

 

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CLICK HERE TO STREAM Brian Strand’s Not Good Enough on Spotify.

CONNECT WITH Brian Strand | Instagram | Twitter | Facebook |

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
CONNECT WITH Sadie Brown | Instagram

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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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