Connect with us

Story

Bryson Tiller Details Missed Drake Collabs Before “Outta Time”

The long-awaited Drake x Bryson Tiller collaboration emerged this past Friday on ANNIVERSARY. Many have anticipated this collaboration since Drake co-signed Bryson five years ago with many expecting the Canadian rapper to appear on his debut album TRAPSOUL. Though that wasn’t the case, there was a reason for it that Bryson Tiller explained recently to Rob Markman.


Kevin Winter/Getty Images

Drake actually serves as the first feature Bryson Tiller has had on any of his solo albums with the exception of The Weeknd’s “RAMBO” remix that appeared on TRAPSOUL deluxe. Apparently, this would’ve happened regardless since Drake was initially slated to appear on Bryson’s debut album. “The same way this one happened, it was supposed to be a surprise feature,” he said “We didn’t get to make that happen obviously but this is dope to come back five years, full circle, and do it.”

Tiller explained that Drake was a big fan of “Sequence” but it appeared likely that the 6ix God would grace the remix of “Don’t.” Ultimately, that fell through but earlier this year, they started connecting once again to get “Outta Time” off of the ground.

“You know, me and him are always sent each other ideas or whatever. I went to the studio, played him stuff. He played me some stuff. I was supposed to be on More Life. At that time, I was just in a terrible mental space. I really couldn’t deliver the proper Bryson Tiller verse for a Drake album,” he said. Bryson explained that he sent Drake a song for Serenity earlier this year while Drake sent him back something he was working on.

“I sat on it for a while and I kind of found myself in the same place that I was when we first started collaborating… I don’t even want to come on this song if I’m not really feelin’ it,” he added. “I was kind of just sitting on it for a while, maybe waiting on his verse to come back for the other song that I sent him.” He said he was in the studio with Neil who he played the Drake song for. Bryson explained Neil really boosted his confidence, saying that the song wouldn’t sound right if he wasn’t on it. “He left the studio and for the first time, I knocked it out in about 20 minutes, 30 minutes.” 

Peep the full interview below.  

Advertisement
Advertisement

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

Advertisement

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Continue Reading

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Advertisement

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

Continue Reading

Video Of The Week

Trending