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Canadian artist Arih SK return back with a unique song for “Go Yet”

Arih SK is an artist living and working in St. Catharines, Ontario. He releases a new single titled “Go Yet”, via Orange Couch Records. Following up with his recent release single “Spleepiest Spring” which received over hundreds and thousands of streams from all digital streaming platforms.

According to Arih SK, “The melody came to me in the shower. When this happens I have to keep singing it over and over until I can get out and record the idea. I had just become a father and then my dad got sick. We soon learned he would not be getting better. This song is a piece of the battle in my head. On the one side, I wasn’t ready at all. On the other side, I could see the acceptance that would eventually come. And somehow that made it even sadder for me to know that I would one day be okay with it. So this is me telling him not to go, saying out loud what I couldn’t say all that time“. – Arih SK

“I recorded “Go Yet” in my friend’s garage. The super talented Siegfried Meier (Beach Road Studios) drove down in his Sprinter van mobile studio (The Mix Bus) and set up so many microphones all over the place. I played guitar, Amanda Parker played bass, and Mark Hoerdt played drums. It was so nice to record my own songs with a band. We got into a groove and hit record. Then everyone cleared out and we turned all the lights off to record vocals. Even then, I still closed my eyes to find the right feeling.” – Arih SK

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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