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Cardi B Accused of Plagiarizing "Clout" and "Thotiana (Remix)"
Cardi B has been accused of stealing lyrics for a couple of records she’s featured on, but she’s pulling out receipts to defend herself against these claims.
Cardi exchanged words with a rapper named Dela Wesst, who is also well-known on TikTok, early Tuesday morning (June 30) after Wesst accused her of plagiarizing lyrics for her verses on “Clout” and Blueface’s “Thotiana (Remix).”
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Wesst uploaded a video response to a tweet Cardi supposedly deleted, which partially said, “I never wanted to give this girl attention…I don’t like it’s when people try that shit with a pic of my kid.” In Wesst’s clip, she says that Cardi is trying to evade the fact that she stole her lyrics. She then accused the Bronx, N.Y. native of using the “child card” by unnecessarily mentioning her 1-year-old daughter Kulture in the tweet.
Less than an hour later, Cardi replied to Wesst’s claims. “First of all you weird ass bitch u been trying me for hot minute,” she wrote. “You really cross the line when u stalkin my fans page and put this shit on a pic of me & my kid .SO YES THATS I’m bringing my kid.” The platinum-selling artist’s tweet included Wesst’s allegations against her and the photo of her daughter that she was referring to in her prior response.
Shortly after, Cardi began to pull out receipts, detailing when she wrote her verse for “Clout,” proving that she didn’t steal the lyrics.
“Second of all you dumb bitch you ranting for day cause you claim I stole lyrics from you on clout,” the Invasion of Privacy artist wrote, including a short video of the program used to edit her vocals on the record. “I WROTE THIS SONG IN JANUARRYYY ! You show me you did your clout song in January bitch you might have a chance.I rhyme clout with Oscar the grouch bitch is not farfech it RHYMES!”
After asking Wesst to end the accusations against her, Cardi addressed the rapper’s claims that she stole the lyrics for her verse on “Thotiana (Remix).” “Then you claim I stole thotiana from you when you put your freestyle one day after WACK ANNOUNCE I’m on the remix of a song I been record it that I WROTE and RECORD IT infront of blue face & Wack,” she said.
Wesst, however, quipped back saying just because Cardi wrote the song in January doesn’t mean she finished the song at that time. “Starting a record in January does not mean you finished that record in January,” Wesst said. “I clearly wrote this the day before you debuted it the internet. I didn’t hear the section of the song THAT EVERYONE IS TALKING ABOUT. I am also not hearing by any ‘CLOUTS’ in the verse.”
Unfazed by Wesst’s comeback, Cardi replied, “jUsT cAUsE yOu sTArTED the song iN jAnUARy don’t mean you finished it THEN WTF IS THIS THEN BITCH!”
Wesst continues, explaining that she said Cardi B’s lyrics for “Clout” were almost identical to a freestyle Wesst did on the “Thotiana” beat.
With the back-and-forth almost coming to an end, Cardi responded, saying, “You posted your lyrics on the other post it said February 6 my lyrics are from January 9th. Goodbye sweety your DISTURB. Clout chase from somebody else. CLOWN now go do a video about THAT!”
Cardi ended the Twitter exchange calling it “fun” and saying that she’ll be taking a break from the social media site for a few days.
On a positive note, Cardi announced last month that she has some new music coming soon.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.