Music
Kanye West Released A New Song “Wash Us in the Blood”

Kanye West has delivered a new song and visual.
On Monday (June 29), the Chicago rhymer announced the name of his forthcoming album, God’s Country, via Twitter. At that time, he also shared that a new project with cinematographer Arthur Jafa was going to be released for a record titled “Wash Us in the Blood.” This morning (June 30), Kanye made good on his promise as the Jafa-directed visual is here and it features Travis Scott.
The video begins with footage from a protest in Florida, where a Black female officer from the Fort Lauderdale Police Department can be seen scolding her colleague for pushing a kneeling protester to the ground earlier this month. The visual then shows two individuals, who appear to be struggling to breathe, receiving medical attention. Ye’s new video seems to encapsulate the many aspects the country is currently facing including the coronavirus pandemic and the Black Lives Matter movement protests.
“And they tryna control ‘Ye/They want me to calm down/They don’t want me to be Kanye/They don’t want Kanye to be Kanye/They wanna sign a fake Kanye, they tryna sign a calm ’Ye/That’s right I call him Calm ’Ye, but don’t take me the wrong way/But don’t take me the wrong way, its got took me a long way,” ‘Ye raps on the record.
La Flame then spits, “Let it off, set it off/Execution, thirty states (That’s right)/Thirty states still execute (Ah)/Thou shall not kill, I shall not spill, Nextels at the rendezvous (Ooh)/We dodgin’ time in the federal (Get ’em)/Squad box you in like a sectional/We walk through the glass and the residue (Ooh)/Now look what we headed to (Ah).”
Related: Zakiyyah Johnson: Next Upcoming Star
The newly released video is Mr. West’s first visual since dropping the Jake Schreier-directed “Closed on Sunday” last November. Nearly a month after the video was offered, Kanye delivered Jesus Is King and his Sunday Service Choir’s album, Jesus Is Born.
Kanye’s new music comes after the announcement of his 10-year deal with Gap for his YZY Gap line. The decade-long partnership, which will launch online and in stores in the first half of 2021, will be comprised of “modern, elevated basics for men, women and kids at accessible price points.” He has also enlisted Nigerian designer Mowalola Ogunlesi to commandeer the design direction of the new line.
Related Post: Griselda Throws Shade at Shady Records on Twitter
Ye also informed fans last week that he and Kid Cudi’s Kids See Ghosts album will be transformed into an animated kids show. Both rappers shared the news on Friday (June 26), revealing that the program is animated and directed by Tekashi Murakami. The show, which features the Kanye bear used in the rapper’s first three albums—The College Dropout, Late Registration and Graduation—and a fox named Kid Fox. Ye is the voice of the bear while Cudi is the voice of the fox.
It’s unclear when the cartoon will officially premiere.
Meanwhile, check out Kanye West’s new video for “Wash Us in the Blood” featuring Travis Scott below.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
-
Artist Spotlight6 days agoiLLLACAT brings sharp bars and catchy production with latest release “Like Dat”
-
Artist Spotlight6 days agoJoshua Jamison unveils intimacy and a full rock expression on latest release “Windows”
-
Artist Spotlight6 days agoALPHA CENTAURI blends hip-hop, funk and afrobeat ambition on latest release “The Future Right Now”
-
Artist Spotlight6 days agoEmilie Thorsby turns self-belief into a bold musical statement with latest release “Amazing as hell”
-
Artist Spotlight5 days agoAmanda Fagan unveils lost love and regret on latest release “Forever Yearn”
-
Artist Spotlight6 days agoUNDAUNTED unveils broken memories with latest release “Shattered Echoes”
-
Artist Spotlight6 days agoNITESHØRE embraces the long road to progress with “Marathon Mind”
-
Artist Spotlight12 hours ago“NO MORE” by Amanda Holley connects healing, awakening, and survival

