News
Coachella Clip of Justin Bieber Dancing to Kendrick’s ‘Not Like Us’ Raises Eyebrows
During Coachella’s weekend, Justin Bieber was recently caught vibing hard to Kendrick Lamar’s fiery diss track “Not Like Us,” a song that has turned heads and rattled speakers since its release. Captured by a fan‘s video, the moment captures Bieber grooving with that same laid-back energy we’ve all grown to love. But not everyone interpreted it as a feel-good cameo. As some fans rejoiced over the clip as a tease of the old Justin, many of his supporters responded with alarm. The thrill of seeing Bieber at one of the biggest festivals of the year vaulted quickly to concern as social media chatter resumed longstanding speculation about his well-being.
Justin has been in the spotlight for months now. Speculation about his mental and physical health has swirled alongside rumors of troubles behind the scenes, from family stress to allegations of substance abuse. In February, a rep for Bieber shot down those rumors heartily, shooting down the latter. Yet that has not stopped the internet from speculating. And although Kendrick Lamar’s “Not Like Us” is hardly your average party track, its staccato words cut right through the air toward Drake, catalyzing one of hip-hop’s most discussed beefs.
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Bieber’s positive endorsement of the track generated yet more conversation. Bieber can still command attention, for better or worse, while on or off a stage. And in an era when moments of celebrity life can be analyzed frame by frame, even a dance can be a news story. For now, fans can only speculate about what’s actually happening with the Canadian megastar. But if Coachella showed anything, it would be that music would still move Justin literally. Only time will tell whether it was a carefree moment or a call for help.
Celebrity
Meek Mill Draws Mixed Reactions With Drill Take on Nico & Vinz’s “Am I Wrong”
Meek Mill has released a couple of songs that leaked online recently, giving fans a proper way to hear the tracks after they popped up over the weekend. “Philly Heathens” has been praised for its attention to street culture and youth affected by violence, but his other new album, “Am I Wrong,” has received a much more divided response.
“Philly Heathens” has been praised for its lyrics about street culture and the young people who get caught up in violence. “Am I Wrong,” however, takes a vastly different approach, remixing the song of the same name by Nico & Vinz as a drill centric interpolation.
“Am I Wrong” is now 12 years old, and its connection to the EDM sound of the time makes it especially recognizable to those who grew up with it. So Meek’s take is built on a familiar musical reference, but the response has been far from universally complimentary. A lot of the criticism has been directed at the hook. The production has also been called dated, but the track was leaked, which may explain its sound. But the strongest reactions have focused on Meek’s chorus vocals.
Read More: Drake Joins Karol G in Houston for First Live Performance of “Ahi”
Some of the responses have been good, though. Some listeners felt the track was a throwback to the blog era, while others thought the criticism targeted almost entirely the hook, not the song as a whole. One Reddit commenter wrote that the track was good, but the chorus was bad, suggesting that Meek’s performance on the rest of the song was better than the reception to the hook may suggest.
The different reactions demonstrate the contrast between Meek’s two new leaks. “Philly Heathens” has resonated with audiences for its subject matter, while “Am I Wrong” has sparked discussion due to its interpolation and vocal approach.
Both songs are now officially available on YouTube so that fans can decide for themselves. The response to “Am I Wrong” shows how difficult it is to reinterpret a well known song, especially when a recognizable hook becomes the centerpiece of the new version
Celebrity
Drake Joins Karol G in Houston for First Live Performance of “Ahi”
Drake made a surprise appearance in Houston this weekend, joining Karol G on stage for the first-ever live performance of their collaboration, “Ahi.”
The surprise appearance took place during Karol G’s show in Houston, where Drake jumped out from the bottom of the stage to perform the song with her. “Ahi” is the latest from Karol G’s project No Me Arrepiento de Sentir Tanto, and the Houston show marked the first time the pair had performed the collaboration together on stage.
Drake made his entrance to a loud reception from the crowd. The rapper popped out from under the stage, bowed to Karol G, hugged her, and launched into their collaboration. With “Ahi,” the performance was not over. Drake stayed on stage and carried on with the set, performing “Janice STFU” and “One Dance” and giving the Houston crowd a long set from the Canadian rapper.
The collaboration also sparked speculation about Drake’s upcoming music. A rumor started that Karol G was one of the collaborators on the project, along with Molly Santana and Future, days before ICEMAN is expected to drop. Future and Molly Santana were among the names on the rumored list, and Future ended up on “Run To Atlanta.”
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Drake’s Houston appearance comes as he continues to promote music outside the traditional album release cycle. He released FOMO, a visual YouTube project featuring visuals for several songs from Habibti and Maid Of Honor nearly two weeks ago. The project also featured a couple of unreleased songs, including new material with Yeat and new unreleased music with Don Toliver.
Drake and Don Toliver have also dropped a remix of Ella Langley’s “Choosin’ Texas.” The remix has recently sparked speculation about the artists after re uploaded visuals allegedly erased all footage of Langley.
But the Houston show shifted the focus back to Drake and Karol G. The surprise appearance turned the stop into the first live showcase of “Ahi” for the audience, while Drake’s renditions of “Janice STFU” and “One Dance” extended his surprise time onstage. It also gave fans their first chance to see the two artists perform their collaboration together, adding a live chapter to the release of “Ahi. “
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