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Damian Lillard Weighs In On Whether LeBron Should Have Shot

During Game 5 of the NBA Finals, LeBron James had a chance to win the title with the Los Angeles Lakers with just 10 seconds left on the clock. LeBron ended up getting triple-teamed which forced him to forego the shot, and instead, passed the ball to Danny Green who had a wide-open three-point look. Green ultimately missed the shot as Markieff Morris through the ball out of bounds while looking for Anthony Davis in the post. This sequence of events allowed the Heat to win, forcing a Game 6 which goes down tonight.

Over the course of the last couple of days, there has been a ton of debate surrounding whether or not LeBron should have shot the ball. Some think he had an impossible look, while others felt he should have embraced the “Mamba Mentality.” Portland Trail Blazers star Damian Lillard took to Twitter noting that LeBron made the right play, although Lillard would have approached it differently.

“No… he made the right play… but I woulda shot on both they ass,” Lillard wrote. The Trail Blazers point guard isn’t wrong especially since we’ve seen him take near-impossible shots and make them with ease.

Regardless, LeBron made the play he felt was best for the moment, and in the end, it didn’t work out. In sports, that’s just the way it goes sometimes.

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Artist Spotlight

PLAN-A-EMCEE unveils a call to see clearly with latest release “Lyrically Reclaim Your Brain”

ANWAR SUPREME / PLAN-A-EMCEE

PLAN-A-EMCEE‘s latest release, “Lyrically Reclaim Your Brain,” is a lo-fi hip hop and cloud rap album with a waking-up theme. This one is for those stuck in an NPC-like life, moving toward awakening and ready to challenge their environment. The infectious hook is hard to miss, and delivers the song’s main message, “unmask the blindfold, that you might see!”

The track concept is simple and focused, produced by and rapped by Emcee PLAN-A-EMCEE, aka Anwar. The combination creates a direct relationship between the beat and the vocals, keeping the message front and center. The busy musical approach lets the words do the heavy lifting over the cold lo-fi base.

“Lyrically Reclaim Your Brain” is a musical reminder to pause, look closer, and be more aware of your surroundings. PLAN-A-EMCEE turns that idea into a memorable hip-hop statement, with an infectious refrain and an undeniably purposeful edge.

Connect with PLAN-A-EMCEE on Spotify || Soundcloud || Facebook || Youtube

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Entertainment

Bad Bunny’s Super Bowl Halftime Show Just Swept The Emmys

Bad Bunny in Los Angeles, California, 2019
Photo: Glenn Francis / Wikimedia Commons (CC BY-SA 4.0)

Bad Bunny is officially an Emmy winner — and not just once. At Saturday’s Creative Arts Emmys, his Super Bowl LX Halftime Show swept every single category it was nominated in, all seven of them, making it the most-decorated nominee of the night.

The headline win was Outstanding Variety Special (Live), a category the show became only the third halftime show ever to claim. From there it just kept going: music direction, choreography, sound mixing, lighting design, technical direction and camerawork, and directing all went home with the Puerto Rican star’s team. There’s technically an eighth trophy with his name attached, too, though it won’t land in his hands — the “Saturday Night Live” episode he hosted last season separately won Outstanding Makeup for a Variety, Nonfiction, or Reality Program.

The sweep is good news for Jay-Z as well. As an executive producer on the halftime show, he now has two Emmys to his name, having previously won for producing Kendrick Lamar’s Super Bowl LIX performance in 2025 — the show that, until Saturday, held the record for most Emmys won by a Super Bowl performance.

Bad Bunny wasn’t the only one having a night. Sabrina Carpenter picked up her first Emmy as a performer and executive producer on “The Muppet Show,” edging out Taylor Swift’s “The Eras Tour | The Final Show” for Outstanding Variety Special (Pre-Recorded). The Billy Joel HBO miniseries “And So It Goes” won for sound mixing on a nonfiction program, and 50 Cent’s Diddy documentary “Sean Combs: The Reckoning” took home picture editing honors. A big weekend for live spectacle, all around.

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