Artist Spotlight
DanteWuzHere is Making His Mark In The Music Industry
We would like to introduce you to the immensely talented DanteWuzHere. He is an all-around powerhouse who has been making BIG waves in Atlanta and has been steadily gaining an industry buzz for his unique smooth flow and delivery.
Dante Suarez, professionally known as DanteWuzHere grew up in the music mecca of Atlanta, Georgia. Born in Bradenton, Florida on February 20th to an African American mother and a Cuban father Singer/Songwriter A chance meeting with industry veteran Debra Killings jump-started his love for the recording studio and writing songs. The turning point for the ambitious singer occurred, when his former manager took him to RCA Records resulting in a recording contract directly from RCA Records head Bob Jamieson and subsequently his debut album Inferno.
In 2018 he became a Juno Award Nominee with a song contribution (the single Disturbed) for Indigenous Pop Artist, Iskwé’s album, The Fight Within (Indigenous Music Album of the Year.) In June 2020 he signed with Al Gomes and his award-winning music firm Big Noise LLC. DanteWuzHere’s silky, soulful vocals are woven throughout his highly anticipated EP Paradiso led by his global plea, the gritty bass, and synth-driven single Heaven Help Us. Heaven Help Us is reminiscent of such songs as Marvin Gaye’s “What’s Going On,” John Lennon’s “Imagine” and Kanye West’s “Jesus Walks” in social and global awareness. The currently crazed world in which we live is the perfect inspiration for DanteWuzHere’s follow-up new single Follow Me.
The soothing transient track acts as a solid foundation for the subtly impactful melody and lyrics. The song successfully traverses multiple musical lanes. Written by Ryan Toby and produced by Jamie Helms, Follow Me harkens back to the days of Terence Trent D’Arby and proves that the past is sometimes the best way forward. ‘Follow me’ made it to the 63rd Grammy Ballots in the categories ‘Best R&B Performance’ and ‘Song of The Year’.
When not in the studio, DanteWuzHere can be found modeling and acting, appearing in major press such as Vibe Magazine, Obvious Magazine, Elevator Mag, The Source, Yahoo News and Billboard Magazine
DanteWuzHere has worked with major artists and producers such as Narada Michael Walden, Kanye West, Bryan Michael Cox, Organized Noize, Allstar, SInger-songwriter Joe, Nelly, Los Da Mystro, Trey Songz, and many more. He appeared alongside Nelly in the feature film Snipes in the principal role of Damon. Snipes also stars Sam Jones III, Zoe Saldana, and Dean Winters.
In June 2001 a young Dante was invited to the U.S. House of Representatives as a guest at the “An Artistic Discovery” Congressional Reception.
REACH OUT:
Official website – www.dantewuzhere.com
Follow on Instagram – www.instagram.com/dantewuzhere
Follow on Twitter – www.twitter.com/dantewuzhere
Follow on Facebook – www.facebook.com/iamdantewuzhere
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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