Music
“Dead Summer,” A Nostalgic Yet Contemporary Take On The Struggles During The Pandemic
The sun is shining, but people aren’t outside trying to take it all in. Everyone is confined to their homes. Crows are circling in the distance; something must be dead. If you ask Levi Zadoff and Dead Hendrix, it must be the summer.
“Dead Summer” is a joint EP by these two artists about the psychological effects of COVID, which can still be felt even today. “Dead Summer” represents a time when everything slowed down, and what would have been an enjoyable, fun time was anything but that.
Levi Zadoff is a pop-punk musician based in Los Angeles who believes in maintaining a sense of freedom in his artistry. His inspiration comes from pop-punk artists like My Chemical Romance and Nirvana. Dead Hendrix, whose name also fittingly represents his psychedelic sound, is a punk artist based in Canada. He covers true-to-life topics such as drug abuse, heartbreak, insecurities, and trauma in his music.
With a fusion of punk, pop, and rock, Dead Summer takes us through Zadoff’s and Hendrix’s thoughts as they process the pandemic. Love Game and Alone talk about the rabbit hole that has been sitting in your thoughts for too long. Love Game leans towards hard rock. It is loud and aggressive, and the drum chops used at the end give it a strong finish.
Alone is mellower with heavier lyrics; “Yea, I am numb to the core… I’m getting kinda tired of getting stoned and kinda tired of being home.” It is that gnawing feeling of no longer enjoying things that used to make you happy. The song also has some hints of EDM to it, especially with the bass drops and looping in the chorus.
Cant Be God has the most summer feel in the EP. It sounds easy and light. The instruments are muted and alternate between a subtle guitar riff and simple piano chords. They sing, “If I make my bed, I lie in it,” a willingness to accept whatever comes your way.
Dont Think It Could Get Much Better takes a satirical perspective of Dead Summer. Of course, things will get much better, but before they do, Hendrix and Zadoff allow us to wallow in the feelings of things worsening.
Hendrix and Zadoff have added the song Teenage Dirtbag as a bonus track. The sound is nostalgic, with guitar melodies that sound like they were made over ten years ago. The song is about missing someone, but you decide to stab them since you can’t have them.
With Zadoff and Dead Hendrix based in different countries, Dead Summer was created virtually. However, it’s hard to tell. The two bounce off each other’s sound well, making for a cohesive sound. Furthermore, the transition between different song styles is smooth, making for a trippy and enjoyable listen.
Listen on Spotify:
https://open.spotify.com/album/7v9FFhJrHoLLDiuNOIXy1H?si=vCrWap8nS8S6zM4iOJHFpg
Distrokid:
https://distrokid.com/hyperfollow/deadhendrixandlevizadoff/dead-summer-ep
Levi Zadoff Instagram:
https://www.instagram.com/levizadoff
Levi Zadoff Website:
https://www.levizadoffmusic.com/
Dead Hendrix Instagram:
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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