Entertainment
Do Blue Lives Still Matter? D.C. Metro Cop Says Maniac MAGA Mob Chanted “Kill Him With His Own Gun” [Video]
DC cop Michael Fanone says Capitol rioters wanted to kill him with his gun …
These MAGA people are so full of s#!t.
They should just say, “we’re racist” and go but all this gaslighting is really frustrating. Ever since the very first time “Black lives matter” was uttered in public, all we’ve heard from Republicans, conservatives, and MAGA bootlickers is “All lives matter” or “blue lives matter”, however, when faced with those very same blue lives who are attempting to execute the law and order that these people claim to honor, they damn near kill them.
DC Metropolitan Police Officer Michael Fanone recently spoke to CNN about his experience on January 6, 2021, a day that almost saw the end of his life. Fanone was attacked by the mob of Trump supporters who were attempting an insurrection on the United States Capitol. According to his testimony, the mob chanted, “kill him with his own gun” as they dragged, beat, and stole gear from his utility belt. Let Fanone tell it, the only thing that saved him wasn’t his service weapon but a plea for empathy on behalf of his children.
Press play on the harrowing video below where Fanone tells his story. He begins speaking at the 1:30 mark.
These people are savage animals and we can only hope that the FBI can identify, charge, and convict every single one of them to the fullest extent of the law. None of them deserve the freedom that they think they are fighting for.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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