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Drake Admits He Dated SZA In 2008 In 21 Savage Song
Every time Drake releases new music, his fans stay dissecting his lyrics to see if he said anything of note. When he was announced as a feature on 21 Savage and Metro Boomin’s Savage Mode 2 hours prior to its release, the internet was on high notice for several reasons. Firstly, we were finally getting new music from 21 Savage. That’s always good news. Secondly, we all needed to listen to “Mr. Right Now” to catch anything crazy in Drake’s bars.
Luckily for the fans, they’ve got a whole new situationship to look into because, in the Six God’s verse, he goes on to claim that he used to date SZA over a decade ago.
Ethan Miller/Getty Images
“Turn your phone off, take your clothes off/I’m a sav’, but I fuck her to a slow song,” raps the Toronto native to begin his portion of the song. Later on, he admits his SZA love with a few choice lyrics. “Yeah, said she wanna fuck to some SZA, wait/’Cause I used to date SZA back in ’08,” he sings.
Wait, what?
Drake used to date SZA? How is this something that nobody knew about?
Already, social media is flying off the rails because of this admission, with some calling out Drake because, in 2008, SZA was either 17 or 18. He would have been about 22. As you know, there are people who call Drake “creepy” for texting underage girls like Millie Bobby Brown and Billie Eilish. They’re gonna have some fun with this if SZA is confirmed to have been 17 while they dated.
Listen to the new song and let us know what you think.
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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