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Drake & Zendaya Announce “Euphoria” Two-Episode Special

As fans anticipate the release of Certified Lover Boy that one would hope arrives this Friday, a day before his 34th birthday, the rapper has seemingly kept busy throughout quarantine and into the summer with other ventures. The OVO brand has only expanded further, unveiling a new collaboration with BAPE and a new store in Los Angeles. 

Drizzy’s also continued to be in his bag with television. Though Euphoria was a smash on HBO, season 2 is set to make its return next year after COVID-19 put productions on hold. In the meanwhile, they’ll be dropping a two-episode special this December, as confirmed by Drake and Zendaya. The rapper hit the ‘Gram last night, revealing HBO’s Euphoria would be making its debut around the holiday season. “@euphoria two special episodes first one on Dec 6th,” Drake captioned the post.

Sources close to Variety confirmed that both episodes were filmed under COVID-19 guidelines. The holiday-themed episode, titled “Trouble Don’t Last Always,” follows Zendaya’s character Rue relapsing after being left by Jules, played by Hunter Schafer, at the train station. The details surrounding the second episode have yet to be revealed.

Euphoria has received much acclaim since its 2019 debut, specifically for Zendaya. She took home an Emmy for Outstanding Lead Actress in a Drama series as well as a People’s Choice Award for Favorite Drama TV star. 

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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