Music

Eminem Dismisses Cancel Culture: ‘No One Ever Really Gets Canceled Though’

The Detroit rapper revealed in a recent appearance on Shade 45 that he isn’t too worried about cancel culture hurting his career. …

Just a few weeks after the deluxe version of Music To be Murdered By – Side B was released, Eminem stopped by Shade 45 to give a song-by-song breakdown and speak about a few other things. One thing he talked about was his diss of Snoop Dogg on “Zeus,” which the Long Beach rapper has already replied to. Another highlight was when the subject of cancel culture was brought up. Eminem has a long history of controversial statements, and he’s dealt with cancel culture a few times. However, according to him, it’s not effective.

“With me, it’s literally like every f*cking every other day,” Eminem said. “I’m canceled for whatever the f*ck it was. It’s funny because I see some of the same people or sites who b*tched about things back then that I said and then going back now and saying, ‘why can’t he be that again.’ What the f*ck? When I was that you had a problem with that too.” The Detroit legend added, “I understand some of the sh*t but for the most part like for people who just sit online and they feel like they need to b*tch about whatever it is to feel like they’re a part of something. With cancel culture, it’s like no one ever really gets canceled though.”

You can hear his comments about cancel culture in the video above, starting around the 10-minute mark.

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Artist Spotlight

Vishwa Ganesh stirs a mesmerizing pure rhythmic joy with “Don’t Wanna Go”

Hit play to briefly escape the world with “Don’t Wanna Go,” an innovative work by emerging artist Vishwa Ganesh. Based in Dubai, this dynamic vocalist embarks on a delightful creative adventure, offering listeners a richly vibrant, intimate, and cohesive auditory experience. Recorded in his hometown of Dubai, “Don’t Wanna Go” pairs rhythmic hooks with lighthearted vibes and infectious energy from the first beat. Vishwa’s velvety vocals float effortlessly over intricate production and instrumentation, while the immersive Dolby Atmos mix elevates the listening experience to a whole new dimension.

Breaking away from his customary narrative-driven style, he adopts a comprehensive role as a writer, composer, and performer, leveraging his multifaceted talents to craft an upbeat track that encapsulates a danceable anthem celebrating the sheer joy of being present at the moment. Each meticulously fused sound feels perfectly placed, enveloping audiences in a kaleidoscope of melodies that inspire their feet to move.

What truly sets this track apart is its dedication to authenticity. Eschewing pre-made samples and loops, Vishwa crafted this masterpiece entirely from scratch. That raw creativity shines through, making each note, rhythm, and harmony personal and intentional. The result is a standout track in his discography that doesn’t just entertain; it connects.

“Don’t Wanna Go” embodies a sensibility that encourages individuals to immerse themselves in its exuberant rhythms through high-energy dance scenarios or simply enjoying intimate listening vibes with headphones. It reminds us that music can be a profound source of unfiltered happiness, providing a respite from the distractions and complexities of everyday life.

Artist Spotlight

“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes

“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.

A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.

Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.

By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.

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