Music
Eminem Says Snoop Dogg’s ‘Disrespectful’ Comments Sparked His ‘Zeus’ Diss
‘I think it was more about the tone he was using that caught me off-guard,’ Eminem explained in a recent Shade 45 appearance. …
Last month, Eminem shared a deluxe reissue of his 2020 album Music To Be Murdered By. One of its highlights was “Zeus,” which features multiple name-drops. One of them was a diss of Snoop Dogg. “Last thing I need is Snoop doggin’ me / Man, Dogg, you was like a damn god to me,” Eminem rapped. “Nah, not really / I had ‘dog’ backwards.”
Back in July, Snoop told The Breakfast Club that Eminem was not in his top 10 greatest rappers of all-time, and in a recent Shade 45 appearance, Eminem said he accepted that. However, there was one comment from Snoop during that conversation that really rubbed him the wrong way.
“Everything he said, by the way, was fine, up to a point,” Eminem said. “Him saying Dre made the best version of me, absolutely, why would I have a problem with that? Would I be here without Dre? F*ck no, I wouldn’t. The rappers he mentioned from the ‘90s—KRS One, Big Daddy Kane, [Kool] G Rap—I’ve never said I could f*ck with them.” He added:
I think it was more about the tone he was using that caught me off-guard ‘cause I’m like, where is this coming from? I just saw you, what the f*ck? It threw me for a loop. I probably could’ve gotten past the whole tone and everything, but it was the last statement where he said, ‘Far as music I can live without, I can live without that sh*t.’ Now you’re being disrespectful. It just caught me off-guard
Afterwards, the Detroit rapper explained that he had no idea how he was going to respond to Snoop’s comments. “I didn’t know what to do about it because it confused me ‘cause I’m like, bro, same team,” he said. “We’re on the same team. And I have never in my career, my entire career, said a disrespectful word about Snoop.”
You can watch the full video above. His comments about Snoop being at the 29:45 mark.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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