Music
Frank Carrozzo: Still Hungry of Talent, Artists and Music.
Talent Manager launches Record Label GOATHEAD RECORDS
Music is a world made up of the artists singing it, the ones performing it, and the people selling it by putting those pieces of the puzzle together, making sure the success of the enterprise is successfully accomplished.
These “music men” or “impresarios”, as they were called in the “old music business”, have been lurking behind the curtains away from attention-seeking gossips. Their main goal is to put together songs, projects, and acts in order for others, usually the artists they manage to be able to show them off in front of the audience.
Frank Carrozzo, has been lurking behind the curtains of music and show business for quite some time. At around the age of 16, he started hanging out around other Italian show business impresarios and learning the ways the music business worked. He later got to work as a sound engineer and record producer for names such as Ed Sheeran, Chris Brown, The Game, A$AP Ferg, and Blueface. In 2018, he met Sarah Azhari, an Indonesian top actress, singer and entertainer that lived her glory of “Most Wanted Actress of Indonesia” during the 2000’s and the two began working together on her complete rebranding. Azhari, well known for her controversiality in Indonesia, quickly became under Frank’s advice a woman with a positive outlook and love for her fanbase ready to be catapulted back in show business after about 20 years of hiatus.
The two mastered the arts of YouTube marketing, vlogging, and new media entertainment, gaining millions of views around the world and making Sarah’s return official.
After managing other Instagram and Tik Tok influencers, Carrozzo went full into music-man mode, founding GoatHead Records, a Los Angeles based record company with the intent of distributing songs, artists and managing their music careers to stardom. The goal has been already taking action by launching singles for artists such as Beth Bella, a Ukrainian born singer-songwriter whose song “Bang Bang” went viral on Tik Tok, hip hop artist Morrison Machiavelli, Y.Rome, and fresh up and coming DJ and artist ASTRØMAN and Sarah Azhari. The last two, in particular, just released a new single named “Near Or Far.”. The two artists appear to be in love in a sci-fi video executively produced by Carrozzo and released by GoatHead Records.
Here is the link to it: https://www.youtube.com/watch?v=9YleDDryDR8
Artist Spotlight
Neurolapse opens up buried feelings into a rebellious release “Fvck These Feelings”
Neurolapse channel released feelings that had been held inside for too long with “Fvck These Feelings.” That emotional urgency also translates into the writing process itself, with some of the lyrics coming in the early hours of the morning and insisting on being put down. From there, it was developed into a track that turns personal emotional pressure into a collective experience for listeners.
What is interesting about the song is the tension between the emotional base it draws on and the freedom it seeks to create. The song is born of the difficulty of releasing painful feelings, but its effect is anything but restrained. The band wants the song to make listeners dance, shout along, and let go of the emotions they have been carrying. This gives “Fvck These Feelings” an intuitive quality, turning frustration and emotional exhaustion into an opportunity to let go.
Something is refreshing about the song’s directness. Instead of bottling up feelings and keeping them a secret, “Fvck These Feelings” celebrates the messy process of letting them out. It gives people a chance to identify what they’ve been holding on to, and a place to let it out. Neurolapse takes a tough internal experience and turns it into something energetic, expressive, and communal. This is a track designed not simply to be heard, but to be felt and released through movement.
Artist Spotlight
KUILL unveils a testimony from the pain of memory on latest release “Last Night”
KUILL‘s latest release, “Last Night” is a very human approach to memory. It is about those moments we only realize were important after they are already gone. This song is not about a specific event, but about growing up, about time passing and about people and places we once assumed would always be there. Its emotional core is born of the painful realization that a final moment rarely announces itself as it unfolds.
“Last Night” is subtle yet cinematic, letting KUILL’s signature voice do the heavy lifting in telling the story. His restrained vocal delivery creates space for the listener to bring his own memories. Its shimmering world can be the last evening before leaving home, a family holiday, or a carefree summer with childhood friends. The result is intimate, yet it doesn’t constrain the listener’s interpretation.
The artwork accompanying the piece enhances that feeling with broken reflections of KUILL, placing him between past and present. It’s the essence of the song: memories tend to fade with time and become less about the details of what happened and more about how those times made us feel. “Last Night” takes that quiet sadness and lets you sit with it.
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