Music
Gina Huynh Sparks Social Media Storm with ‘Yams’ Drama, Reigniting Feud with Yung Miami
Gina Huynh Sparks Social Media Storm with ‘Yams’ Drama, Reigniting Feud with Yung Miami
In a surprising turn of events, Gina Huynh has once again stirred the pot in her ongoing feud with Yung Miami from the City Girls. The two had previously exchanged words over their connections with Diddy, and now, Huynh seems to be fanning the flames with a subtle Instagram Story nod to Miami’s current “Yams” era.
The origins of this renewed tension remain unclear, but fans are buzzing with speculation. Huynh’s use of the term “Yams” on social media has set tongues wagging, given its significance in Yung Miami’s current branding strategy. The timing is raising eyebrows, and we’re left wondering if there’s more to come from either side.
This clash between the two influencers has brought to light troubling allegations against Sean Combs, adding a darker dimension to their connections. Huynh, in a previous interview with Tasha K, recounted harrowing experiences of alleged abuse at the hands of Diddy, shedding light on a distressing chapter in her life.
“He stomped on my stomach really hard. Like, took the wind out of my breath,” Huynh revealed about the alleged abuse she endured. “I couldn’t breathe. He kept hitting me. I was pleading to him, ‘Can you just stop? I can’t breathe.’”
The abuse, both physical and emotional, extended to comparisons with Diddy’s past relationships, particularly with Cassie. Huynh shared the pain of enduring such treatment and the lack of intervention from those around her.
“He would always compare me to Cassie and tell me that I’m the bad one, she’s a good one,” Huynh explained. The situation took a more complex turn when Puff allegedly offered her money to undergo an abortion after becoming pregnant with his child. Huynh claims to have rejected the financial offer, expressing her genuine feelings for him.
“I turned [the money] down because I just loved him, I wanted to,” Huynh confessed. “I was, like, trying to prove that I wasn’t the girl that wanted him for money, I just cared about him, I just wanted him to be nice to me. That’s it.”
As the drama unfolds, it remains to be seen whether this feud will escalate or if the focus will shift to the serious allegations underlying the controversy. Stay tuned for further updates on Yung Miami’s journey, right here on Honk Magazine.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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