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Iconic Beats Rappers Should Rap On

In hip-hop, beats get passed around like colds.

A record might be sent to several artists before it finds a home and finally gets heard by the masses. There are dozens of stories of rappers passing up on beats that turned out to be hits or classic cuts. 50 Cent’s demonstrative single “Many Man” was once a Nas record before it fatefully fell into Fif’s lap. Kendrick Lamar‘s Mike Will Made-It-produced hit “Humble,” which earned a Billboard Hot 100 No. 1 position, was originally scored for Gucci Mane. Diddy had the Boi-1da, Vinylz and Frank Dukes-produced “0-100/The Catch Up” track before Drake got hands on it and turned it into a hit, which caused friction between the two artists.

Even after a record is out, there is nothing stopping other artists from rapping over the instrumental in a non-monetary fashion. Lil Wayne’s “A Milli,” Desiigner’s “Panda” and, more recently, Lil Nas X’s “Old Town Road” serve as examples of tracks that everyone and their mama hopped on.

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There are a bunch of iconic beats that it would be dope to hear other artist spit on that we haven’t gotten the opportunity to hear thus far. Imagine if Jay-Z was given Clipse’s “Grindin” beat, as was almost the case, or how Tupac Shakur and Dr. Dre’s “California Love” would slap harder than angry grandmothers with a fresh verse from The Golden State’s golden boy, Kendrick Lamar. We can wish, can’t we?

So, XXL highlights 15 classic beats we’d like to hear someone other than the original artist rhyme over.

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  • Clipse’s “Grindin’”

    Artist That Should Rap: Jay-Z

    Word is, Clipse’s breakout single “Grindin’” was once almost given to Hov. With that in mind, hearing Jigga spit dope boy magic over Pharrell’s iconic hustler’s anthem in the present day is the stuff street dreams are made of.
  • Tupac Shakur’s “California Love” Featuring Dr. Dre

    Artist That Should Rap: Kendrick Lamar

    2Pac’s “California Love” is one of hip-hop’s most beloved anthems, from one of the genre’s most lauded producers. Kendrick Lamar’s uncanny energy on the classic cut would be just what the Dr. ordered. Keep it rockin’.
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  • Mobb Deep’s “Quiet Storm”

    Artist That Should Rap: XXXTentacion

    Unfortunately, we’ll never get to see this happen no matter how bad we want it. But the late XXXTentacion‘s gloomy yet charged-up style would have fit perfect with Havoc’s dark stylings on the instrumental for “Quiet Storm.”
  • Pete Rock and C.L. Smooth’s “They Reminisce Over You (T.R.O.Y)”

    Artist That Should Rap: YBN Cordae

    By now, you should know that YBN Cordae is illy with the wordplay, as he spits like a top-notch lyricist of day’s past. Hearing the throwback spitta weave bars on a classic joint like Pete Rock’s jazz-infused “T.R.O.Y” record needs to happen.
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  • Wu-Tang Clan’s “Triumph”

    Artist That Should Rap: Odd Future

    Back when all the members of OFWGKTA were still gang, gang, it would have been fire to get the crew of musical misfits to rap over Wu-Tang Clan’s ultimate posse cut. Tyler, The Creator, Earl Sweatshirt, Hodgy, Left Brain, Domo Genesis and others bombing atomically over RZA magic. Yes, please.
  • Twista’s “Adrenaline Rush”

    Artist That Should Rap: Busta Rhymes

    Twista has proven time and time again that his rhymes do not follow the speed limit. While his catalog of tongue-twisting raps is not as prolific, Busta Rhymes can definitely shift into the fast and keep pace with the best of them. There are a few spittas that might be up to the task of tackling Twista’s magnum opus, but Bussa Buss gets our vote.
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  • Wu-Tang Clan’s “C.R.E.A.M.”

    Artist That Should Rap: Westside Gunn, Conway The Machine and Benny The Butcher

    Those Buffalo Boys get busy. With a hardbody throwback style many compare to 1990’s-era Empire State MCs, Griselda Records and Wu-Tang Clan are stylistic cousins. Westside Gunn, Conway The Machine and Benny The Butcher catching wreck over “C.R.E.A.M” is a match made in navy blue and cream Wallabees heaven.
  • Black Moon’s “I Got Cha Opin”

    Artist That Should Rap: Joey Bada$$

    Joey Bada$$ deserves a salute for staying true to his roots in an industry full of clones. A natural on boom bap production, Bad Mon Joey would go bonkers on fellow BK artists’ Black Moon’s classic banger.
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  • Jay-Z’s “Dead Presidents”

    Artist That Should Rap: Nas

    It’s only right. Hov sampled Nas for his early breakout track (which led to some interesting bars during their beef). But that’s all behind us now. Nas would definitely go in on the classic Ski-produced track.
  • Public Enemy’s “Rebel Without a Pause”

    Artist That Should Rap: Run The Jewels

    The seed that MCs like Chuck D planted in Killer Mike is evident. Both are good for a poignant anti-establishment anthem that will shake things up. Killer Kill and El-P should be up to the task of dropping bomb’s on Public Enemy’s “Rebel Without a Pause.”
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  • The Notorious B.I.G.’s “Who Shot Ya?”

    Artist That Should Rap: Rick Ross

    Can you imagine what an official Rozay and Biggie collab would have sounded like? Unfortunately, we’ll never get to hear the lyrical titans on wax together, but the next best thing would be for Ross to hop on a Frank White classic. The biggest Bawse painting pictures over the menacing “Who Shot Ya?” beat would the consummate coupling.
  • Jay-Z’s “U Don’t Know”

    Artist That Should Rap: Pusha-T

    Since Jigga turned the Just Blaze-produced “U Don’t Know” beat into an instant classic, not many people have messed with it. Probably because not many people properly can. One thing King Push definitely knows how to do is murder a track. If anyone can match Hov’s hustler’s spirit its Blowbama.
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    Read More: The 13 Best New Songs This Week

  • Kanye West’s “So Appalled”

    Artist That Should Rap: Kendrick Lamar

    Kanye West‘s “So Appalled” beat got shot, stabbed, murdered and left for dead by Yeezy, Pusha-T, CyHi The Prynce and Jay-Z. In our twisted fantasy, Kendrick Lamar would put his foot in it, too. Kung-Fu Kenny in “Control” mode over that instrumental? We’re totally here for it.
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  • Lil’ Kim’s “Queen Bitch”

    Artist That Should Rap: Megan Thee Stallion

    Lil’ Kim is the original savage and many have followed in her footsteps. She came out swinging on the memorable cut “Queen Bitch” off her debut album Hard Core. With Megan Thee Stallion currently eyeing the throne, she would be the perfect fit to hop on the bombastic banger.
  • Snoop Dogg’s “Gin & Juice”

    Artist That Should Rap: Wiz Khalifa

    We are honestly surprised this hasn’t happened yet, with Wiz’s love for gin and Uncle Snoop. It almost seems mando that Khalifa give us his kushed-out bars over Dr. Dre’s G-Funk magnum opus.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy

Jay-Z

The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.

Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.

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The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.

Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?

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While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.

As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.

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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims

Jay-Z

In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.

Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.

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The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.

Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”

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This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.

The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.

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