Music
Indie Folk Rockers Little Wretches Offer Message Of Hope For At-Risk Teens With Latest Music Video “Running”
The song features a vocal spotlight on Rosa Colucci. “Running (Was the Only Thing to Do)” appears on the band’s 2020 album “Undesirables and Anarchists.”
“This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”— Rosa Colucci, Little Wretches
“All I really needed was some breathing room
But my hiding place slowly became my tomb
Had me down so long I started to assume
That I would never see the light of day.’
‘Seemed like running was the only thing to do
The only thing to do
So I ran…”
– Robert Andrew Wagner, Little Wretches “Running (Was the Only Thing to Do)”
With the 2020 release of their album, “Undesirables And Anarchists,” indie folk rock pioneers Little Wretches hit the ground “running.” The album received national college radio airplay on over 115 AM/FM stations in North America. Propelled by international iTunes chart hits like “Ballad of Johnny Blowtorch” and “All Of My Friends,” Robert Andrew Wagner and company have amassed more than 130K Spotify streams. Their Youtube videos are quickly approaching 70K views. Now, the Pittsburgh-based band has released their most poignant video yet.
The music video for “Running (Was The Only Thing To Do)” was released on February 15th, 2022. Taken from “Undesirables And Anarchists,” the Wagner-written song was inspired by Cecil B. DeMille’s movie, “The Ten Commandments” and bandmember/spotlight vocalist, Rosa Colucci’s life story.
Wagner tells the story behind the song: “Prior to joining The Little Wretches, Rosa Colucci had never sung in a band. She’d been the only white soloist in a predominantly African-American Gospel choir, and she’d sung some karaoke, but that was the extent of it. Shortly after Rosa joined the band, Scott Mervis of The Pittsburgh Post-Gazette wrote, ‘Rosa Colucci is the best thing that ever happened to The Little Wretches.’ Given Rosa’s vocal power, audiences came to expect her to have a ‘spotlight’ number in band’s live shows, so she asked me to write something for her.”
“Rosa is an April baby, the season of Easter and Passover, and I wanted to have a song ready for her birthday. Watching Cecil B. DeMille’s THE TEN COMMANDMENTS on television while strumming my guitar, I paused to marvel at the big scene when Charlton Heston as Moses raises his staff and God parts The Red Sea. Bondage and hopelessness behind them and the impossible before them, what would the average Israelite do? What else could they do? RUN! Believers and non-believers alike. Oh, well… Here goes nothing. Or everything. I recalled Rosa having told me that she’d been on her own since the age of fifteen. The details are for Rosa to tell, but I saw the parallels. EXODUS. Let My People Go! In her own way, Rosa had fled a kind of bondage and leapt into an uncertain future with only faith to guide her.”
Rosa says, “This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”
Watch the video for “Running (Was The Only Thing To Do)” at https://youtu.be/qsF_MtrVsyQ
The Little Wretches hope that the visual imagery, the lyrics, the band’s performance and Rosa’s vocal work together to provide hope and resilience for any at-risk teenager who stumbles across this video. In addition to writing and performing music, Robert holds a master’s degree in teaching and works with at-risk, court-adjudicated and special-needs teens.
https://littlewretches.com
https://www.facebook.com/thelittlewretches
Words and Music by Robert Andrew Wagner
Lead Vocals–Rosa Colucci
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner
Guitars–Robert Andrew Wagner
Stay updated! Click the Google News follow button for more news and updates.
Follow on Google NewsArtist Spotlight
“Blue Christmas” by Lisa Humber delivers a heartfelt holiday melancholic glow
Weaving an ethereal soundscape that cuts straight to the soul, Lisa Humber’s rendition of “Blue Christmas” feels like unwrapping an intimate letter to the heartbroken, transforming the familiar holiday classic into a profoundly personal exploration of seasonal melancholy. Gone are Elvis Presley’s iconic version’s upbeat, almost playful undertones; Lisa offers a stripped-back performance characterized by a haunting resonance.
Working closely with producer and guitarist Justin Abedin, Humber breathes life into the song’s quiet void that lingers in the spaces where laughter should reside. Her tender and vulnerable voice evokes a rare sense of unfiltered longing. It’s as though she’s singing directly to the part of us that carries the burden of lonely and disappointed festive promises during a time usually filled with happiness and celebration, creating a stark contrast to the glittering cheer of the season.
The minimalistic instrumentation creates an intimate auditory experience. Abedin’s guitar strings hum softly, almost like a fragile heartbeat, leaving room for Lisa’s vocal tenderness to shine. Each note she sings feels deliberate, and every lyric is imbued with the ache of memories and the quiet hope of what could have been.
Humber’s evolution as a songwriter began with her debut original composition, ‘Boxing Day.’ With this new single, she demonstrates her adeptness in capturing the nuances of human emotions. “Blue Christmas” isn’t just a cover; it functions as a reimagined dialogue with the audience, providing shared solace to anyone whose holiday experiences might not meet the cheerful festive narrative.
This interpretation of “Blue Christmas” encapsulates a dual sense of introspective warmth and illumination while simultaneously embodying bittersweet emotions. Its impact is particularly pronounced when complemented by visuals of twinkling lights juxtaposed against through a lens of melancholy. Ultimately, it represents a stunning addition to Humber’s growing catalog of musical works.
For more information about Lisa Humber, please visit [website].
CLICK HERE TO STREAM Lisa Humber’s “Blue Christmas“ on Spotify.
CONNECT WITH Lisa Humber | Instagram | Twitter |
Artist Spotlight
Louise Goffin Takes Us for an Intimate Ride with “Backseat”
Louise Goffin’s new single, “Backseat,” takes listeners on a nostalgic journey, like a late-night drive filled with deep emotions. The Brooklyn-born singer-songwriter offers a heartfelt song that feels personal yet relatable to everyone. Drawing inspiration from the storytelling style of Laurel Canyon, “Backseat” invites you to dive into its rich, soulful sounds and escape the daily hustle and bustle.
Goffin’s talent shines through in her ability to tell a story reflecting her life experiences. Growing up with famous songwriters, she experienced a world full of creativity and ups and downs, which she beautifully expresses in her music. “Backseat” captures the mix of chaos and tranquility, creating a calming yet powerful musical experience. Her gentle voice flows over various instruments, making it feel like a cozy chat with a close friend.
At its heart, “Backseat” touches on balancing being a passenger in life and taking charge, something everyone can relate to when feeling uncertain about the past and future. Goffin’s gift for sharing her thoughts makes this journey feel shared, showcasing her storytelling talent.
Louise Goffin is truly coming into her own as an artist, turning the intricacies of life into songs that resonate with many. Whether you’re already a fan or just discovering her music, “Backseat” is a song you don’t want to miss—a beautiful celebration of growth, resilience, and the magic of music.