Music
International Violin Master Bernadett Nyari Champions Women In Single & Video “Palladio”
“Palladio,” a new single and music video by Bernadett Nyari, depicts the struggles of a female artist to be self-reliant.

“Palladio” is an up and coming single and music video performed by world renowned violinist, Bernadett Nyari. The song was written by Karl Jenkins and arranged by Bernadett and Producer Norbert Csicsak. The music depicts the struggles of a female artist to be self-reliant in the music industry which has been notoriously dominated by male performers for many years.
According to the Recording Academy, less than a quarter of the artists on the charts last year were women. Over the past ten years, that number has been stagnant at 21%. And, over the past decade, women only make up 12.7% of songwriters. Bernadett Nyari’s “Palladio” makes a powerful statement showing a woman taking center stage and claiming her worth as an artist.
The world “palladio” comes from a Latin expression that means to safeguard or protect. In the beginning of the video, a curtain expands to reveal a woman holding a violin by her side. Viewers see her in the background as male performers take the spotlight by playing upfront, rushing the stage, and dancing with violins. Are the men protecting her or are they taking the stage away from her? Ultimately, this question is answered as she comes into her own light to claim her own space. At the end, she stands alone on the stage and the curtain retracts. The video is a work of art that was directed by Director, Aleksandar Korom and Producer Aleksandra Svonja.
Aleksandar Korom and Tanja Bogdanic (editor) were the camera directors and the production was by Classica Nova. “Palladio” is being released in advance of Bernadett Nyaris’ anticipated album “The World On My Strings.”
“Palladio” is schedule for release on July 15th with a pre-release on July 8th in advance of Nyari’s anticipated ablum, The World on My Strings, which will feature songs from the US, Croatia, Hungary, England, Italy, Hungary, Israel, Canada, and more.

About Bernadett Nyari: Bernadett Nyari hails from Budapest, Hungary and was born into a musician family. Her maternal grandfather was József B. Suha, one of Hungary’s greatest violinists. He was also a composer and his compositions are played worldwide to this day.
Bernadett began learning to play the violin at age 6, but only decided to dedicate her life to music following a concert tour in Italy when she was 13. From the age of 18, she continued her studies at the Music Academy in Graz, Austria, and became the student of Professor Silvia Marcovici, an outstanding world-renowned violin soloist. She originally studied classical music, but since her dream was to bring joy to all kinds of audiences with her favorite musical genres, she perfected numerous styles of music on her violin in the most varied ways.
Bernadett has become a global traveler entertaining audiences by performing in many countries around the world. She has performed more than in 90 countries, and 150 cities. Her powerful stage presence is underlined by a captivating elegance. To listen to her play is to feel her passion. Her performances offer an incredible array of musical styles, showing the endless possibilities playing the violin. It is a true variety selection… classical, folk, film music, musicals, jazz, country… all played in her personal style with her own arrangements. In 2018 Bernadett was listed as one of the most successful people of Hungary.
Connect on Facebook.
Follow on Instagram
For more information on Bernadett Nyari, please visit her website.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
-
Artist Spotlight1 day agoC’batch turns an old guitar performance into a new story with “Our Little Pooh Pea (The Last Light) 4 – Cinematic”
-
Artist Spotlight4 days ago“NO MORE” by Amanda Holley connects healing, awakening, and survival
-
Artist Spotlight4 days ago“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
-
Artist Spotlight3 days agoSara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
-
Artist Spotlight4 days agoLisa Jo draws a line under the past with latest release “Done Druggin’ Away the Pain”
-
Artist Spotlight3 days agoTabi Harlowe captures the ache behind attraction with latest release “So Pretty (It Hurts)”
-
Artist Spotlight3 days agoDusty Edinger crackle tension into rock electricity with latest release “We Outshine”
-
Artist Spotlight4 days agoCrooner Ed captures a sweet romantic moment on “I Love This View”

