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Interview With Dominik And Adrien, The Artists Behind German Metalcore Band Immunity

Hi Dominik and Adrien! We loved your song and video of “Trust The Algorithm” and would like to hear more about it. 

What does this project mean to you?

Nik: It’s a miracle for us. We never thought to get that much international attention for our music. Most of our songs formed during the big lockdown in Germany. Of course there was a lot of anger and frustration that influenced the songwriting during Covid. But in the end it also was kind of a therapy.

Adrien: for me it is an outlet of my creative energy. The last 1.5 years affected all of us directly so there are a lot of experiences and emotions that we both needed to channel. And this project is the perfect way. 

How did you two meet? Did you have prior experience working in a band before that?

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Nik: We met only weeks before the pandemic unfolded. I was in a German Rock band before but always wanted to do heavier music than that.

Adrien: We met when I was also looking for a new band together with a couple of other musicians. Eventually only the two of us were left but we said we will continue like that. 

The band came together in 2020. How did the pandemic affect the band’s work overall?

Nik: For nearly one year we had to work remotely. Not very band-like we basically had to sent files to each other and each of us worked alone in his basement. Even after the lockdown bands were not allowed to play together for practice. So we made our songs, booked the studio dates and only one week before recording we met for the first time in person after a year.

Adrien: We needed to adapt to the situation. But it shows that we have a good connection and are able to work together in a very focused way. 

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Do you believe that algorithms ruin people’s lives or do people allow the internet to consume them fully? Is there anything to be done to change the situation?

Nik: Algorithms may be the most devastating force in our modern history if we don’t stop them. They can not only destroy peoples lives, they are able to destroy whole democracys. Misinformation is the cold war we are living in today. Algorithms reward us for our most personal information and desires. If you look at social media you can see with your own eyes how many people are willing to do anything for attention.

We need to get much more awareness of what happens with the data we provide. We have to be aware that anything we share online can be used to manipulate us. 

Adrien: I think that algorithms themselves are neither good nor bad. Important is how they are used and they can be used in a very positive way. Nevertheless in our fast paced times it makes sense to take a step back and understand we are seeing what we see in our feeds and ads. And understand that companies are using algorithms to maximize profit. And while using social media it can drag people deeper down into a spiral of misinformation and conspiracy theories. To change the situation it needs commitment from major companies to fight the spread of misinformation even if this means some loss of profits. 

Will you be exploring similar themes in your future projects? If not, what themes/concepts are you interested in writing music about as a band?

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Nik: Our digital world is a topic that goes through our upcoming Album in many ways. The song “Faceless Void” we just recorded is about getting lost in the virtual reality of the future. Covid took many of us into a virtual world where some of us can’t escape anymore. Other songs are about personal experiences and changes. It is a weird time and the last months left none of us unaffected. 

Adrien: the digital transformation is all around us and cannot be stopped. So it is important to understand what is happening and to know that there is also an analogue life that is worth nurturing. I think that also the pandemic forced people to appreciate the close surroundings and for me it’s also inspiring. So themes are closely related to personal experiences and topics that affect us in some way. 

Can fans expect to see new projects from the band this year?

Nik: As our debut album is planned for 2022 there will soon be at least another single. We also have some ideas for our next music video. So we are definitely up for some more trouble in the near future!

Adrien: stay tuned, there is new music coming from us. 

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Album Review

Eric Schroeder drops a riveting dare into his emotionally charged new album “Cat’s Game”

Eric Schroeder

Eric Schroeder, a distinguished innovator within the indie rock-pop sphere, born and raised in San Diego, has unveiled his ambitious latest album, “Cat’s Game,” a masterful project that deftly explores intricate emotional landscapes. Comprising ten meticulously woven tracks, traverse through landscapes of confessional intimacy, introspection, and sonic defiance that revitalizes classic rock ‘n’ roll aesthetics. Recorded at Mant Sounds under the expert production of Rob Schnapf and engineered by Matt Scheussler, this striking new album premieres today and signifies a potential shift in the contemporary rock narrative.

As a pivotal player within San Diego’s eclectic music scene, Eric Schroeder adeptly navigates the dynamics of chaos and clarity, and “Cat’s Game” showcases his most sophisticated orchestration to date. Collaborating with a tight-knit ensemble featuring Matt Scheussler (bass), Jake Richter (drums), and Aidan Finn (keys), Schroeder breathes life into every lyric, wrapping each composition in swirling authenticity and unfiltered emotional gravity.

Commencing with the soaring rock gem High And Low,” listeners are immediately plunged into the heart of Eric’s introspective lyricism, capturing a spectrum of euphoria tinged with unintentionality, where moments of sorrow transmute into uplifting sentiments. The follow-up singleEmily floats a unique form of bittersweet poetry, allowing audiences to resonate with a profound longing through emotive acoustics and nostalgic melodies. Furthermore, the slow-burning Don’t Wanna Let You Go effectively merges vulnerability with assertive musical grit in one unforgettable, gut-punching anthem.

Tracks like As I Sit Here In My Car and I’ve Got Problems demonstrate Schroeder’s exceptional proficiency in turning everyday occurrences into deeply relatable stories, marrying lyrical poetry with infectious grooves and cinematic soundscapes. Meanwhile, Leave Me Sleeping arises as a notable highlight, functioning as a haunting lullaby drenched in longing and lucid dreamlike clarity, further underscoring his capacity to encapsulate solitude in a captivating sonic framework.

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Mid-album highlights, such as My Big Brother,” “Slipstream,” andSummer In The Psych Ward,” explores the chaotic interior of memory and identity, enhancing the psychological dimensions of Schroeder’s artistry. Finally, the closing track, The Road To Recovery,” presents an achingly beautiful exhale, a tender, tremulous resolution to a defiant, emotionally rich album.

Cat’s Game” is a crucial addition to any rock enthusiast playlist, reminding us of the enduring significance of music in contemporary culture. The album is an immersive manifesto of emotional honesty, dynamic storytelling, and fearless creativity. Eric Schroeder doesn’t just participate in this artistic endeavor; he is rewriting the rules with his enchanting vocal delivery. His rare gift for transmuting vulnerability into visceral musical encounters cements his reputation as a mesmerizing songwriter, a burgeoning force in today’s evolving music landscape, poised to make a significant impact.

 

For more information about Eric Schroeder, please visit [website]. 
CLICK HERE TO STREAM Eric Schroeder’s Album Cat’s Game on Spotify.
CONNECT WITH Eric Schroeder | Instagram

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BLACKPINK’s Lisa Signs Major Solo Deal with Universal

LISA BLACKPINK

Lalisa Manobal, better known as Lisa of BLACKPINK, is making waves in her career by signing a solo deal with RCA Records, a well-known label under Sony Music Entertainment. This is a significant step for her, highlighting her independence as an artist and showing a trend in the K-pop industry where artists seek more creative control and a wider international audience. Lisa is the first member of BLACKPINK to partner with a different label for her solo projects, setting her apart from her bandmates.

This new agreement is about Lisa taking charge of her music. One of the standout features of this deal is that she will own the rights to her recordings, a rare opportunity in the music industry, especially in K-pop, where artists often have strict contracts. With her own company, LLOUD, Lisa will manage her solo music, giving her artistic freedom and financial control.

By collaborating with RCA Records, Lisa gains access to a large global network that includes production resources and marketing support. This is about changing how K-pop artists can reach audiences worldwide. Lisa aims to succeed not just in South Korea but also in places like North America and Europe.

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From a branding perspective, this decision also makes sense. Lisa has built a reputation as a fashion icon and talented performer, attracting millions of fans through her performances and style collaborations. Now, with LLOUD and RCA, she can create music and an image that resonates with international listeners while staying connected to her roots. This flexibility is important in today’s fast-paced entertainment landscape, where artists are cultural influencers.

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Lisa’s solo deal has sparked discussions about the future of BLACKPINK as a group and the individual paths its members might take. While they are still managed by YG Entertainment, Lisa’s step into a solo career opens the door for her bandmates to explore their own opportunities without completely stepping away from the group. This creates a new model where artists can balance group activities with solo projects.

From an industry standpoint, Lisa’s contract reflects a shift in power distribution between record labels and artists. As digital platforms allow musicians to build their own fan bases, traditional record labels need to provide better, more flexible contracts to keep top talent like Lisa. Her decision to maintain ownership of her music is a powerful statement about valuing creativity and the long-term benefits of protecting her work.

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Fans are eagerly awaiting what Lisa will do next. Her solo music so far has shown her range, blending hip-hop, pop, and R&B. With full creative control, listeners can expect music that truly represents her style and growth as an artist. The excitement for her upcoming projects is palpable, not only because of her popularity but because she now has the resources to create something special.

Lisa’s signing with RCA Records is a key moment in the evolution of pop culture. It symbolizes the emergence of a new type of K-pop artist who is not just a performer but also a savvy businesswoman and a global brand. As she steps into this new phase with LLOUD and RCA, everyone is curious to see how she will push the boundaries of music and identity. Lisa is no longer just a member of a famous girl group, she is a powerful solo artist in her own right.

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