Music
Interview With London-Based Australian Producer Seekay
We had the chance to chat with London-based Australian producer Seekay, who recently released several singles, all home to incredibly beautiful soundscapes, vibes, vocals, and arrangements. He talked to us about his work, the artists that inspire him, as well as his unique mindset when it comes to the meaning of art and music.
Hi Seekay, hope you are well and healthy! How are you handling the second lockdown? How are you spending your time?
Lockdown is OK for me. I tend to spend a lot of my time alone. I like a good party as much as the next guy but It’s a choice, it lets me think. Sometimes I feel I’ve lived huge tracts of my life locked down emotionally so I’m match-fit for a pandemic. Let others decide on my course. Don’t do it.
We fell in love with “Wiser,” as well as with your previous releases. Please tell us more on the meaning behind your new song, “Wiser”?
“Wiser” is a song about abuse and also when we are young or scared, how we endure It’s a song about how when we are young we often mistake abuse for “cool” and allow ourselves to be treated horrendously because of that. We meekly surrender our sense of self to others. It’s about naivety and growing. It’s about pain, lots of pain. Someone once said the only question you need to ask the other person before you getting into a relationship is “how mad are you?”. Wiser suggests you also ask “Is this person helping me be the best that I can be and am I reciprocating?” If you are being abused in any way – GET OUT NOW.
We are curious to understand the way your collaboration with Chloe works out, could you share with us some of your secrets for such a powerful chemistry?
No. I write ‘em, she sings ‘em. We go on with our lives. We have not met or spoken. I heard her voice on the internet and sent her some songs. She was gracious enough to sing on them. We go on with our lives. Like I said I’m pretty much a loner….who knows maybe she is too. Maybe there’s a connection, maybe not. It’s a song, a microscopic imprint in the fullness of time.
What is the main difference in your approach to composing the melodies on “Wiser,” “Fall,” and “Hold”?
I write thematically – “Hold” is about loneliness, “Fall” is about depression and “Wiser” is about abuse and growth. They’re an emotional trilogy. I can’t write songs without elements of relevance and authenticity to me in them. I’m patient with songs. Start and return to the same song again and again. Sometimes its days sometimes weeks or months until I feel it’s right….sometimes never.
We have read that you don’t like speaking much about your personal story but you could tell us a little bit more about how you came to produce music?
Pain. Lots and lots of it. Life. Hindsight. An inability to do anything else I consider even remotely worthwhile.
Which artists inspire you?
All of them. Musically when I’m high I’m partial to Satie’s “gymnopedie 1” on repeat with loads of compression, distortion, delay and reverb added to the basic melody. I might follow that up with some EDM or psychedelia. I usually always finish with “Gimme Shelter” by the Stones….just the intro…..the way Keith Richard weaves the instruments and vocals through the arrangement are magical. My favourite poem is “The Love Song of J. Alfred Prufrock” by T.S. Eliot . My favourite more recent poets are Galway Kinnell and Ted Hughes “Crow” even though Ted doesn’t seem to be the nicest of people. My favourite play is “Oleanna” by David Mamet and I also like Edward Albee and painters Rashid Johnson, Edward Hopper and when I’m high, Jackson Pollock and Australian First Nations painters – 60,000 years of continuous history. I used to like Lucien Freud and Francis bacon but now they just depress me. My favorite author is Patrick White and his book The Vivisector….it’s a tough read but the final third is beyond words incredible. It would never have survived the Spotify world.
Well…….you asked!
What are you currently working on? Any new projects?
I write. I think an EP soon. Who really gives a shit? If not me, someone else. People will always connect with good lyrics and music irrespective of who fronts the circus act. I write to heal (myself mainly) if it helps even one other person it’s all worth it. The Cosmic Dao is an indeterminate force or principle that latently contains all things and spontaneously generates the universe through its constant rhythmic fluctuations. Humanity will flourish only if its day, or “way,” is attuned with this. The wise is so attuned to the Dao that his actions leave no traces of themselves and so pass completely unnoticed. That’s my goal musically – for the songs to join the flow. Me, completely. Unnoticed.
Thank You Seekay!
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“I Just Want You” by Kina ft. Trevor Daniel delivers a heartfelt serenade for beautiful yearning
In “I Just Want You” by Kina, the 24-year-old Naples-born lo-fi pop maestro behind the platinum hit “Get You The Moon,” featuring Trevor Daniel, crafts a stirring sonic anthem that feels like an intimate whispered confession to the soul. The track radiates a sense of vulnerability, merging Kina’s trademark melancholic production with Trevor’s emotionally charged, velvety vocals in a seamless fusion of emotion and sound.
Right from the start, Kina’s minimalist yet lush instrumentals, with muted beats and delicate piano lines, hum in the background like a pulse, setting the stage for Trevor Daniel’s heart-on-sleeve delivery as he croons about yearning for connection. The song’s emotional gravity is undeniable, each lyric feels weighted with sincerity, a heartbeat echoing the universal ache of missing someone.
The production exemplifies Kina’s quintessential hallmark style, which is characterized by its understated but impactful nature. A warm tapestry of lo-fi elements, soft keys, atmospheric synths, and subtle percussion wraps around Trevor’s vocal performance, creating a cozy, intimate, cinematic soundscape ideal for those quiet moments when you reflect on your feelings.
What really makes “I Just Want You” unique is its ability to mix personal vulnerability, timeless vibes, passionate lyricism, and broad relatability. It’s almost as if the artists invite listeners to relive their sweet memories in a cocoon of love, translating unfiltered emotion into a beautiful melody long after the song ends.
In just under three minutes, Kina and Trevor Daniel remind listeners that sometimes, we really need honest expression set to a simple, lovely tune. “I Just Want You” is a sonic open letter to the heart of anyone who has ever loved, making it impossible not to feel the pull of its charm.
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Artist Spotlight
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The composition “The Tide” captivates from its initial notes, sweeping listeners into its wave of introspection and hope. Doherty’s warm vocals, imbued with authenticity, anchor the song as it unfolds melody, accompanied by gentle acoustic strums and a lush instrument arrangement. Co-written and produced in collaboration with the expert craftsmanship of Luca Janzen and John Doherty, the track balances simplicity with cinematic depth.
Lyrically, Doherty articulates the cyclic nature of life, love, and resilience. “The Tide” is employed as a profound metaphor, its fluctuations paralleling human challenges and triumph achievements. His poetic delivery transforms the song into an emotional voyage, where every lyric feels like a personal conversation dialogue. The production is exceptional, featuring intricate layers of melody and harmony that evoke the experience of standing on the shores of the Irish coastline. The influence of Doherty’s extensive touring, including stints performances alongside notable artists such as James Bay and The Staves, is discernible in his polished yet unfiltered authentic artistic approach.
“The Tide” is an auditory invitation for reflection, encouraging listeners to find solace in the rhythms of nature and life. Regardless of one’s musical preferences, whether a folk purist or a country aficionado, this track is bound to leave an indelible mark. Engaging with it will reaffirm why John Doherty’s artistry is an exceptional and worthwhile experience you won’t regret.
For more information about John Doherty, please visit [website].
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