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ISY Releases Music Video for Pop Ballad “Airplane Mode”

Officially released on June 25th, the music video for “Airplane Mode” showcases ISY for the unique emerging artist she is – a style icon, powerful vocalist, and prolific songwriter wrapped into one. Utilizing the popular live stream platform Twitch to write and produce her latest single “Airplane Mode”, ISY describes the process as creating in a “place where I’m finally starting to come out of my shell.” “I was freestyling this online to an audience of people I know are like-minded, and I wanted to make them laugh, feel, and transport them to an illusive and beautiful place… virtually… definitely something we’ve all gotten good at in this first chapter of the 2020s,” says the artist.

ISY shares the sentiment that “Airplane Mode” is her story of gaining self-worth and a call to the sensitive and introspective. “I wanted to make something that was vulnerable and real, but also unshrinking, even a little cheeky. It can feel like an act of defiance to prioritize our own peace of mind and development. I tried to express that defiant feeling in a positive and celebratory way.” The single release was well received with features on Spotify playlists like BMI’s Picks: Pop/Rock, The Deli Magazine, and support from DJ LILICAY who shared both the music video and behind-the-scenes footage on her Twitch channel. With a smooth, lo-fi, RnB sound matched with feel-good, self-assured lyrics, ISY executes exactly what she set out to do.

 

“I went kinda goofy with it at times, I didn’t shy away from being a seemingly random emotional rollercoaster. That’s authentic to how I was feeling while creating it, and how I think the rocky journey to confidence is for many – all over the map, circling back more and more frequently to a space of inner calm.”

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-ISY

Borrowing from an eclectic mix of soundscapes, ISY is a prolific writer and producer who has performed regularly from an early age. She is an interactive and high-spirited performer, delivering her creations with great care. Her sound is informed by a broad range of genres, from the lyrical innovation of hip hop/rap to iconic Motown ambiance, or rugged early grunge. Her style is marked by both lyrical originality and playfulness, and the “accessible” melodic elements of pop music. She cut her teeth regularly busking on subway platforms, and now also streams her songs and production processes on Twitch – a community she describes as very much like virtual busking.

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Connect with ISY:

Instagram | YouTube | Website | Spotify

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Bash Co. examines emotional imprisonment and love on “Dungeon”

Bash Co.

Love is often seen as freedom, connection, and emotional release, and in the single “Dungeon,” Bash Co. takes a more complex look at reality, exploring what happens when an emotion becomes a prison. The song has been described as a darker take on “Velvet” and is part of an artistic duality between opposing emotional states. “Dungeon” explores being trapped by feelings that should otherwise bring freedom.

The song tells a story of emotional entrapment, fractured communication, and a broken inner state. Bash Co. examines how difficult it can be to shake attachment and emotional intensity. This picture fits with the song’s theme of pain and imprisonment.

The recording process also unexpectedly influenced the final direction. “Dungeon” was written on an acoustic octave guitar, inspired by a series of technical setbacks that helped Bash Co. hone in on the mood he was seeking. Those struggles could’ve thrown him off his game, but instead he used the experience to get closer to the suffocating character that the song’s lyrical concept demanded.

This is especially relevant to the release’s identity. The emotional side is also offered as a philosophical exploration, not as personal history. “Dungeon” would suit “Velvet” much better, and the two pieces explore the dichotomy between emotional freedom and constraint, providing a wider context for Bash Co.’s creative direction. The two releases are divided by a study of how the same emotional terrain can lead to very different experiences.

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Young Thug, YSL Win in Court in Lil Wayne Tour Bus Shooting Lawsuit from 10 Years Ago

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Young Thug and his label, YSL, have been dismissed from the lawsuit over the 2015 shooting of Lil Wayne’s tour bus, another major development in a decade-long legal battle. The move follows Birdman and Cash Money Records being dropped from the same lawsuit.

Judge Eric A. Brewton threw Young Thug out of the case, Billboard reports, because there was no evidence to prove an employment relationship between the rapper and the shooter named in the lawsuit, PeeWee Roscoe. The court found insufficient evidence to support the claim that Roscoe was acting for Thug.

The lawsuit was filed by Alvin Lewis, who was Lil Wayne’s tour bus driver at the time of the 2015 shooting. Lewis named several parties in the lawsuit, including Young Thug, YSL, Birdman, and Cash Money Records.

A central part of Lewis’ allegations was that Roscoe acted on behalf of Young Thug. But the court’s ruling suggests that the evidence did not establish the connection that Lewis was trying to draw between the rapper and the shooter.

The judge’s emphasis on the absence of an employment relationship was especially important in reaching the decision. There wasn’t enough proof tying Roscoe to Thug in that role, so the court ruled that the rapper should be out of the lawsuit.

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Birdman and Cash Money Records were also dismissed from the case. The judge said there was not enough evidence to link Birdman to the shooting in their case, including information that he was not in the same state when it happened.

The ruling is the latest setback for Lewis in his ongoing case stemming from the 2015 incident. A lawsuit that once involved several big names in hip-hop has seen those defendants dropped after the court weighed the evidence.

The development offers a significant legal break for Young Thug and YSL from a lawsuit that has been active for years. The ruling doesn’t change the history of the shooting itself, but it does change the rapper’s and the organization’s legal standing regarding Lewis’ accusations.

It is important to distinguish between the dismissal and a finding on all issues in the original incident. From what we know, the ruling concerns whether enough evidence linked Young Thug to Roscoe’s actions through an employment relationship.

The case has garnered attention because of its link to Lil Wayne and other celebrities who were originally named in the lawsuit. With Young Thug and YSL now removed, alongside Birdman and Cash Money Records, the legal dispute has taken another major turn.

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“The decision is a hard development for Lewis in a case that started ten years ago. The defendants who were dismissed have won a major court victory.

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