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Erik Lunde Teases Upcoming Solo Album With “Long Time Overdue”

Colorado roots-rock-americana artist Erik Lunde is teasing his upcoming album Water From The Stone with the release of the lead single “Long Time Overdue”. A song of many layers, “Long time Overdue” pays tribute to the Colorado “band of brothers” that helped Lunde create this album, speaks to the truth of the creative process behind Water From The Stone, and touches on the feeling of longing that many people experienced during the pandemic. “I’m really stoked to release “Long Time Overdue” as the lead single from my upcoming full-length album release Water From The Stone because finishing this album really was like trying to get water from a stone – and in my mind, it’s a record release that is a long time overdue,” says Lunde. “Since the pandemic is ending, there are a lot of things that are a long time overdue, like family reunions, long-distance relationships, seeing your mother or father in a nursing home. I think this song – both the lyric and the keening, yearning almost desperate energy of the performance – really taps into that feeling we all feel now.”

The light-hearted, uptempo single brings a sense of hopefulness – something that Lunde has found in the local Fort Collins music community in what he dubs his “band of brothers”. Six local musicians – Jeff Finlin, Ryan Lennartson, Justin Roth, Eric Straumanis, Bob Montgomery, and Darren Radach – helped Lunde bring this album to life. “I couldn’t have made this song or this record without the generous contribution of time, talent, musicianship, money, and encouragement that these guys gave me,” says Lunde. Having been writing and performing all over North America since 1995, Lunde says it wasn’t until he moved to Fort Collins in 2009 that he found a community that could really push his creative boundaries and help bring to life the songs and music that he knew was within him all along. “Long Time Overdue” – along with the rest of Water From The Stone – is a testament to the power of the Fort Collins Music Community that helped create this record and gave Lunde a place to finally plant his roots.

Lunde’s upcoming album, Water From The Stone, is itself a long time overdue as it took six years and six studios to reach completion. As a passionate and compelling performer that connects with his audience, Lunde set out to translate that infectious energy and rock and roll spirit of his live performance into a record. His collection of “post-modern folk-rock spirituals” draws upon deeply reflective songwriting and Americana soundscapes to create a sound that is truly his own. Northern Colorado’s SCENE Magazine has described Lunde’s songwriting as “lyrics that are haunting and memorable poetry, […] skipping from dark and minor chord tones that are reminiscent of lonesome backroads and bleak, understated realism.” After hearing the title track “Water From The Stone” SCENE Magazine remarked, “If they could get ten more like “Water From Stone,” they would have an incredible album.” Lunde is eager to let fans hear the full collection of songs this September.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

Trashy Annie Drops a Grit-Soaked Masterpiece with “Let It Kill You”

Trashy Annie

“Let It Kill You,” a 12-track rock journey by Austin’s own Trashy Annie, is now out. It captures everything bold, gritty, and unapologetically honest about modern rock. Award-winning songwriter Annie Davis leads the band. They thrive on the beautiful clash of outlaw-country storytelling and explosive hard rock energy. This new record is their most daring work yet.

“Let It Kill You” is 38 minutes and 18 seconds long, taking listeners on an emotional rollercoaster from heartbreak to redemption and chaos to clarity. It’s the sound of a band that won’t play it safe; instead, they choose to live and die by the fire of their art.

The album starts with loud guitars and vocals that cut through the noise, making it clear right away that Trashy Annie is a force in rock music. “Save Me” mixes the raw power of electric riffs with the vulnerability of soul-baring lyrics. “Some Strange” has a dark, bluesy swagger that oozes danger and desire. Then there’s “Sugar,” a sexy song that stands out because of its catchy hooks and Annie’s fierce, intoxicating voice.

Each song sounds like a page from Annie’s diary, written without fear, emotion, or editing. The band’s blend of country grit, classic rock chaos, and a modern edge makes “Let It Kill You” impossible to ignore. Trashy Annie was born during the pandemic and made in fire. She stands for the spirit of rebirth and rebellion. “Let It Kill You” is a way of life. It’s about going after your passion so hard that it could kill you, but doing it anyway because that’s what makes life real.

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Artist Spotlight

Roxy Rawson Finds Light in the Shadows with “I Found a Place in the Woods”

Roxy Rawson

Music is very sacred because it can convey both pain and peace simultaneously. Roxy Rawson‘s new single, “I Found a Place in the Woods,” does just that. This haunting, ethereal masterpiece by well-known composer Jherek Bischoff is out now on November 7th. It’s an emotional landscape made up of solitude, strength, and quiet rebirth. Roxy Rawson transforms folklore into a deeply personal story about her own journey through divorce and starting anew, inspired by the fairy tale “The Three Ravens.” The song takes you to a magical place where loss and healing meet, where grief slowly gives way to hope under the cover of old trees.

Bischoff’s production is both rich and delicate. It layers Rawson’s angelic voice over haunting strings and textures that seem to breathe with life. The song has an organic stillness to it, like being in the woods after a storm, when all you can hear is the rustling of leaves and the sound of your own heartbeat. Roxy’s voice is both weak and strong, like sunlight coming through branches after a long night. Every lyric feels like it was meant to be, and every pause makes you think. It’s the sound of finding yourself again in nature’s quiet embrace, a moment of giving up that turns into a song of survival.

Rawson doesn’t just give you a melody with “I Found a Place in the Woods.” She provides a safe place for you to go. It’s the kind of song that sticks with you long after it ends, like a memory of finding peace in the middle of chaos. This song is one of Roxy Rawson’s most personal and mighty works to date. It’s perfect for fans of ethereal storytelling, cinematic folk, and emotional honesty. It reminds us that beauty can flourish even in the face of loss, and that sometimes healing begins with simply finding a quiet place to be.

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