Music

Erik Lunde Teases Upcoming Solo Album With “Long Time Overdue”

Colorado roots-rock-americana artist Erik Lunde is teasing his upcoming album Water From The Stone with the release of the lead single “Long Time Overdue”. A song of many layers, “Long time Overdue” pays tribute to the Colorado “band of brothers” that helped Lunde create this album, speaks to the truth of the creative process behind Water From The Stone, and touches on the feeling of longing that many people experienced during the pandemic. “I’m really stoked to release “Long Time Overdue” as the lead single from my upcoming full-length album release Water From The Stone because finishing this album really was like trying to get water from a stone – and in my mind, it’s a record release that is a long time overdue,” says Lunde. “Since the pandemic is ending, there are a lot of things that are a long time overdue, like family reunions, long-distance relationships, seeing your mother or father in a nursing home. I think this song – both the lyric and the keening, yearning almost desperate energy of the performance – really taps into that feeling we all feel now.”

The light-hearted, uptempo single brings a sense of hopefulness – something that Lunde has found in the local Fort Collins music community in what he dubs his “band of brothers”. Six local musicians – Jeff Finlin, Ryan Lennartson, Justin Roth, Eric Straumanis, Bob Montgomery, and Darren Radach – helped Lunde bring this album to life. “I couldn’t have made this song or this record without the generous contribution of time, talent, musicianship, money, and encouragement that these guys gave me,” says Lunde. Having been writing and performing all over North America since 1995, Lunde says it wasn’t until he moved to Fort Collins in 2009 that he found a community that could really push his creative boundaries and help bring to life the songs and music that he knew was within him all along. “Long Time Overdue” – along with the rest of Water From The Stone – is a testament to the power of the Fort Collins Music Community that helped create this record and gave Lunde a place to finally plant his roots.

Lunde’s upcoming album, Water From The Stone, is itself a long time overdue as it took six years and six studios to reach completion. As a passionate and compelling performer that connects with his audience, Lunde set out to translate that infectious energy and rock and roll spirit of his live performance into a record. His collection of “post-modern folk-rock spirituals” draws upon deeply reflective songwriting and Americana soundscapes to create a sound that is truly his own. Northern Colorado’s SCENE Magazine has described Lunde’s songwriting as “lyrics that are haunting and memorable poetry, […] skipping from dark and minor chord tones that are reminiscent of lonesome backroads and bleak, understated realism.” After hearing the title track “Water From The Stone” SCENE Magazine remarked, “If they could get ten more like “Water From Stone,” they would have an incredible album.” Lunde is eager to let fans hear the full collection of songs this September.

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Entertainment

Bad Bunny’s Super Bowl Halftime Show Just Swept The Emmys

Bad Bunny in Los Angeles, California, 2019

Photo: Glenn Francis / Wikimedia Commons (CC BY-SA 4.0)

Bad Bunny is officially an Emmy winner — and not just once. At Saturday’s Creative Arts Emmys, his Super Bowl LX Halftime Show swept every single category it was nominated in, all seven of them, making it the most-decorated nominee of the night.

The headline win was Outstanding Variety Special (Live), a category the show became only the third halftime show ever to claim. From there it just kept going: music direction, choreography, sound mixing, lighting design, technical direction and camerawork, and directing all went home with the Puerto Rican star’s team. There’s technically an eighth trophy with his name attached, too, though it won’t land in his hands — the “Saturday Night Live” episode he hosted last season separately won Outstanding Makeup for a Variety, Nonfiction, or Reality Program.

The sweep is good news for Jay-Z as well. As an executive producer on the halftime show, he now has two Emmys to his name, having previously won for producing Kendrick Lamar’s Super Bowl LIX performance in 2025 — the show that, until Saturday, held the record for most Emmys won by a Super Bowl performance.

Bad Bunny wasn’t the only one having a night. Sabrina Carpenter picked up her first Emmy as a performer and executive producer on “The Muppet Show,” edging out Taylor Swift’s “The Eras Tour | The Final Show” for Outstanding Variety Special (Pre-Recorded). The Billy Joel HBO miniseries “And So It Goes” won for sound mixing on a nonfiction program, and 50 Cent’s Diddy documentary “Sean Combs: The Reckoning” took home picture editing honors. A big weekend for live spectacle, all around.

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Artist Spotlight

personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”

“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.

The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.

This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.

“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.

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