Indie
Jadelyn Turns the Tables with New Anthem “HOW DO YOU LIKE ME NOW?”
In a recent single, “How Do You Like Me Now?” For up-and-coming pop singer Jadelyn, it’s a literal power punch of power, poise, and unapologetic self-worth. At just the right emotional tempo, this song is a mission statement. It’s the sort of anthem you throw on when the old you is a ghost, the new you is here, and you’re not regretful.
Jadelyn’s voice is soulful and pronounced from the onset, full of emotion and texture. She’s singing for herself. This music is for anyone who’s ever had to claw their way through doubt, toxic expectations, or personal heartbreak, only to emerge stronger, wiser, and 100% in charge of their narrative.
“What used to bring me down is what’s lifting me,” her voice could be whispering between the lines, but there’s a sense of broken-down honesty and resolve. The production crackles with a brittle pop savvy, pulsing synths, a hook that doesn’t leave your head no matter how many close listens you take, and an undercurrent of vulnerability that never feels pathetic, just real. This is pop with teeth, glammed and grizzled.
But what makes “How Do You Like Me Now?” special and aside is the emotional intelligence baked into every note. It’s a song about looking back at yourself, not in the bitter way, growth, not revenge. Jadelyn is not asking for validation. She’s in charge of the room, cupping the microphone to her mouth, daring the listener to stand up to the power of someone who looks her worth.
Whether cruising with the windows down or eyeballing yourself in the mirror, this track meets you where you are and dares you to level up. There is a universalism to its message that makes it personal and communal. We’ve had our “watch me now” moments, all of us. Jadelyn just made hers a pop anthem.
Connect with Jadelyn: Instagram
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
Artist Spotlight
Sara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
Sara Diana‘s latest release, “Her Hair’s Like Fire,” opens with the image of a woman not to be contained by material things or expectations. The character of the song says that they are not for sale, not even with diamonds. She runs with flowers, sings to the moon when no one is around, and has a mysterious sense of where she’s from. A beautifully wild personality sits at the heart of the idea.
The diamonds create a nice tension, and there’s a woman who goes mad and mad again. The recurring flower imagery connects her to something natural and instinctual. And there is a mystery in the repeated mulling over that people may never really know whence she comes, too. She is elusive, independent, always on the move.
It’s a song that seems to praise a woman who does her own thing. Sara Diana’s song outlines that character with simple but evocative images and leaves the listener with the image of someone who runs free, sings under the moon, and doesn’t stand still. “There’s a beautiful idea of a wild one that just keeps running, and it captures the spirit of it all.”
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