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JAZZ SINGER-SONGWRITER ORI DAGAN TAKES ON THE DIGITAL ZEITGEIST ON HIS FOURTH STUDIO ALBUM CLICK RIGHT HERE

Is life online in the 21st century a blessing or a curse? One could make a case either way, but if you’re Toronto-based vocalist and songwriter Ori Dagan (@oridaganjazz), one thing is certain: there’s a great material to be mined for a lyric, something Dagan always delivers with a wry and agile sense of swing. Click Right Here, praised by John Devenish of JAZZ.FM91 as “fun, provocative, fancy-free and spirited,” and by journalist and author Jeanne Beker as “the perfect balance between modernity and nostalgia,” is Dagan’s first album of original material. It offers a joyful escape from, and timely reflection upon, a world spinning out of control. Themes include online dating, social media, technological troubles, and the quest for freedom and equality in a divided world.
Dagan’s right-hand man on Click Right Here, his fourth studio effort, is a guitarist and musical director Nathan Hiltz, whose crackling arrangements and brilliant solos bring the songs to life. Hiltz fronts a versatile eight-piece band comprised of some of Canada’s finest: pianist Attila Fias, bassist Alex Bellegarde, drummer Ben Wittman, tenor saxophonist Colleen Allen, alto saxophonist Alison Young, trombonist William Carn, and trumpeter Andrew McAnsh. They are featured to brilliant effect on the potent band vehicle “21st-Century Blues.” In addition to being Dagan’s first recording with horns, Click Right Here also includes his first male duet, a romp of a minor-key tune called “Going That Counts,” featuring Toronto rising-star vocalist Donovan Locke. Rapper Erik Flow cowrote the blistering opener “Viruses,” built around a prominent omitted expletive that lends the song a distinct rhythmic hiccup.
Five-time JUNO Award winner and three-time GRAMMY nominee Jane Bunnett, of Spirits of Havana fame, contributes scintillating flute on “Hashtag World” and soprano sax on “Viruses.” Four-time JUNO winner Simone Denny (Love Inc.) appears on a bonus cover: a relaxed and incisive interpretation of The Buggles’ 1979 smash hit “Video Killed the Radio Star,” the definitive earworm of earliest MTV. Rebecca Hennessy serves as guest arranger on the Buggles cover as well as an updated take on Dagan’s 2012 single “Googleable,” replete with virtuosic scat breaks and arch references (“Google Apps are the best, skeptics eventually clue in / who might have guessed, other than Marshall McLuhan”). The album was recorded by GRAMMY-nominated engineer Jeremy Darby at Canterbury Music Company and co-produced by Macedonian multi-instrumentalist, composer, arranger, and producer Davor Jordanovski.
Dagan’s previous recordings, S’Cat Got My Tongue (2009) and Less Than Three <3 (2012), solidified his forward-thinking artistic voice. In 2017, with the support of over 200 crowdfunding contributors, he created the visual album Nathaniel: A Tribute to Nat King Cole, a first of its kind in the jazz genre — a collection of 12 music videos that won critical acclaim and recognition at film festivals worldwide, as well as an official showcase at SXSW.
Dagan’s rich bass-baritone is unmistakable; his irreverent songcraft speaks to the lineage of Nat Cole novelty numbers and the impeccably swinging humor of the late Bob Dorough and Dave Frishberg. His scat singing has the natural, fluid, bop-inflected feel of the best in that idiom. Click Right Here, his most ambitious project to date, is sure to take him to new destinations, onstage and online.
Artist Spotlight
David Cloyd triumphantly returns with a reflective new album, “Red Sky Warning”

David Cloyd, a seasoned artist whose creative luminescence has only intensified over his career, makes a noteworthy re-entry following a decade-long hiatus with an emotionally resonant and musically sophisticated new album, “Red Sky Warning,” released via ECR Music Group. This album marks his reintroduction to the music scene as he aims to reclaim the spotlight. Co-produced and mixed by the acclaimed indie architect Blake Morgan (known for his work with Lenny Kravitz, Lesley Gore, and Janita), the masterful ten-track album encapsulates a significant evolution in Cloyd’s sonic profile, where intricate craftsmanship meets intense emotional exposition.
Spanning ten compelling tracks, “Red Sky Warning” is a profound exploration of openness, identity, and the intimacy of human connection. The very first notes of the opener, “Ocean of Hours,” envelops listeners in a euphoric wave of melody, with the magic of Cloyd’s lyricism resonating like heartbeats, consistently engaging while maintaining a clear direction. This immersive tone sets the stage for a record that demands to be felt as much as it is heard.
It is followed spontaneously by “If We Could Escape,” the second track, delving into themes of emotional ambivalence and quiet longing for escapism. Its soulful balm and shimmering aura capture the ache of unspoken truths, laying bare the intimate confessions Cloyd expresses through his signature vocal warmth and layered instrumentation. Each hypnotic rhyme that follows builds on this honesty, embracing a therapeutic narrative of accepting imperfection.
In the third track, “The Day Before,” a contemplative light emerges as Cloyd masterfully blends soul-pop sensibility with mature finesse. It evokes the quiet anticipation that precedes change, revealing Cloyd’s ability to distill quotidian experiences into a resonant metaphor. Conversely, “A Far Cry From Nothing” presents a robust rhythmic foundation that underscores lyrical potency, driven by piano-centric confidence and heartfelt phrasing that illuminate emotional resilience. In “Cage of Water,” Cloyd adeptly navigates the emotional landscape through an audacious sonic tapestry that reflects the fluidity of love’s ever-changing tides. This piece captures the inherent unpredictability of romantic experiences, evoking a captivating composition that accentuates its dynamism. The ambient “Drive With Me” employs lush ambient textures to guide listeners through reflective pathways, invoking the nuances of nostalgic relationships and emotional bonds often left unarticulated.
“Into The Sea” dazzles with melancholic elegance, threading love and mystery into a cohesive storytelling framework. Subsequent tracks, such as “Climbing Ivy,” maintain this thematic momentum, focusing on unity and the complexities inherent in celebrating brotherhood and kinship through a storytelling lens steeped in poetic nuance. “Small Wooden Boat” offers a poignant reflection on the past, emphasizing rediscovery and personal growth while capturing the bittersweet clarity that revisiting old memories often brings. The album culminates with the stunning track “Walk the Earth,” a soul-stirring finale that lingers in the heart of listeners long after its chords fade. Cloyd’s use of tremulous vibrato and unwavering vocal performance echoes the weight of lived experience, providing a fitting closure to an album that’s both a personal manifesto and a universal commentary.
Each composition sequentially builds upon the previous one, thereby enhancing the thematic essence of “Red Sky Warning” and symbolizing not only a reawakening but also a rebirth for David Cloyd. His distinctive vocal style as a singer and songwriter approach draws comparisons to notable figures such as Jeff Buckley, Nick Drake, and Peter Gabriel while remaining distinctly his own. With this release, Cloyd effectively positions introspection at the forefront of his artistry, transforming emotional vulnerability into a cathartic experience. This meticulously curated body of work serves as a testament to David Cloyd’s enduring musical vision, establishing it as a timeless addition to any music aficionado’s collection. “Red Sky Warning” is essential for those seeking genuine artistry that transcends genre and invites listeners on an evocative expedition of heartfelt optimism and recuperation.
For more information about David Cloyd, please visit [website].
CLICK HERE TO STREAM David Cloyd’s Album “Red Sky Warning“ on Spotify.
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Yonatan’s “Jah Is My Guide” is a soulful journey rooted in faith and island vibes

Yonatan, the gifted singer from the pulsating island of Martinique, shares his latest spiritual track, “Jah Is My Guide.” This recording is a spiritual song inspired by the timeless Psalms of David, a unique combination of soulful music and a message of faith and inspiration. “Jah Is My Guide” envelops the listener in a tuneful sense of sincerity. Yonatan’s sound boasts authenticity, encouraging listeners to life’s ups and downs through spiritual affirmation. Using the Psalms for inspiration, the song taps a universal longing for strength, wisdom, and protection, which, as themes, never really become aged but instead seem incredibly personal and relatable.
What stands out about this single is the way in which Yonatan is able to incorporate that island reach into the music, however, without sacrificing its holy essence. The rhythms subtly bounce toward Martinique’s rich musical heritage, which gives the song a vital heartbeat that manages to feel both contemporary and timeless. It’s a potent reminder of how old-time spirituality and newfangled artistry mesh seamlessly. Listeners will feel enveloped in a meditative bubble, each verse like a conversation with the divine. Production is slick and slick, taking a backseat to Yonatan’s vocals and the depth in the lyrics. For Yonatan, “Jah Is My Guide” has become a testament to the inspiring power and hope that music can provide.
It provides a spiritual compass for those of us adrift on the uncertain waters of life, and we are all reminded that when faith is our guide, we are never lost both for peace and direction. “Jah Is My Guide” is simply a must listen for lovers of music that feeds the soul and taps into deep spiritual concepts. Yonatan has written a song that reflects the venerable tradition of the Psalms and celebrates his special island identity, a mix that carries with it the potential to inspire and uplift across lands and lifetimes.
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