Entertainment
JoJo Shares Clinical Depression Diagnosis Following Alcohol Addiction
Entertainers who begin their careers when they’re children or teenagers often find themselves struggling when they transition into adulthood. Those who have attained at least a moderate level of success are more at risk for going off the deep end, as they grapple with adapting to the ever-changing expectation of Hollywood. At just 13-years-old, JoJo became a pop princess when her single “Leave (Get Out)” topped the charts, but as she grew older, she had issues with her record label that kept her from releasing music and was told that she needed to get on a 500-calorie-a-day diet in order to be famous.
On Friday (May 1), JoJo will release her anticipated R&B project Good To Know, and she recently sat down with PEOPLE to discuss what was going on behind the scenes during the years when she wasn’t able to release new music. Her father was battling an opioid addiction, and JoJo turned to alcohol to deal with her mental and emotional issues. It was common for the singer to drink until she blacked out.
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“I was feeling overwhelmed and found myself wanting to get out of my mind because I was so scared and so sad,” she said. “At the end of the day, I am a product of a family with substance-abuse issues. When I woke up and didn’t know how I got home, I was like, ‘This is not okay.’” It took a few years for her to reshape her life, but after seeing a therapist and receiving a diagnosis of clinical depression, JoJo turned her life around.
“Because there is a history of mental health issues in my family, I didn’t feel any shame seeking help,” JoJo added. “Those of us who have a predisposition toward depression or a chemical imbalance — sometimes we just need a little help.”
Entertainment
Bad Bunny’s Super Bowl Halftime Show Just Swept The Emmys
Bad Bunny is officially an Emmy winner — and not just once. At Saturday’s Creative Arts Emmys, his Super Bowl LX Halftime Show swept every single category it was nominated in, all seven of them, making it the most-decorated nominee of the night.
The headline win was Outstanding Variety Special (Live), a category the show became only the third halftime show ever to claim. From there it just kept going: music direction, choreography, sound mixing, lighting design, technical direction and camerawork, and directing all went home with the Puerto Rican star’s team. There’s technically an eighth trophy with his name attached, too, though it won’t land in his hands — the “Saturday Night Live” episode he hosted last season separately won Outstanding Makeup for a Variety, Nonfiction, or Reality Program.
The sweep is good news for Jay-Z as well. As an executive producer on the halftime show, he now has two Emmys to his name, having previously won for producing Kendrick Lamar’s Super Bowl LIX performance in 2025 — the show that, until Saturday, held the record for most Emmys won by a Super Bowl performance.
Bad Bunny wasn’t the only one having a night. Sabrina Carpenter picked up her first Emmy as a performer and executive producer on “The Muppet Show,” edging out Taylor Swift’s “The Eras Tour | The Final Show” for Outstanding Variety Special (Pre-Recorded). The Billy Joel HBO miniseries “And So It Goes” won for sound mixing on a nonfiction program, and 50 Cent’s Diddy documentary “Sean Combs: The Reckoning” took home picture editing honors. A big weekend for live spectacle, all around.
Celebrity
Boosie Badazz Responds to Kewon White’s Claims About Dallas Shooting
Boosie Badazz is responding after Kewon White, the man recently convicted of killing Mo3, spoke about the 2020 shooting involving the Louisiana rapper and said he had multiple chances to kill him. Speaking from jail during an interview with Cam Capone News, White talked about his problems with Boosie’s behavior on a trip to Dallas after Mo3’s death. White told the rapper he shot at Boosie about 10 times but wasn’t trying to kill him. He claimed he had three opportunities to kill the rapper.
Boosie was shot in the leg in Dallas on November 14, 2020, days after Mo3 was killed and one day after Boosie attended a vigil for his late collaborator. Boosie has taken note of the new comments in part because White is currently appealing his murder conviction. Boosie also questioned why White would go public with information about the shooting while appealing his case.
In a reply on social media, Boosie wondered why White would do that, believing the jailhouse interviews might cause more problems for the convicted killer. He also objected to the decision to explore the particulars of Mo3’s death while trying to appeal the conviction. White was convicted this month of capital murder for shooting Mo3, whose real name was Melvin Noble, on a Dallas highway in 2020. White has filed a notice of appeal since.
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So the timing of White’s comments has become a central part of Boosie’s reaction. Boosie didn’t address White’s allegations regarding the 2020 shooting but did ask why someone challenging a murder conviction would even talk about case details in public interviews.
The case has also included allegations against Yella Beezy. During White’s trial, prosecutors said Beezy paid White to kill Mo3. White has denied receiving any payment from Beezy, and Beezy has denied any involvement in the alleged murder plot.
White’s conviction and subsequent appeal have kept the case in the public conversation, and his recent jail interview added another chapter. His remarks on Boosie also address a violent period following Mo3’s death, during which Boosie traveled to Dallas and was shot. For Boosie, the problem is bigger than what happened in 2020. White’s choice to discuss the shooting while seeking an appeal has caused him to publicly question the strategy behind the interviews and the timing of the disclosures.
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