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Juice WRLD’s Mother: “My Biggest Fear Was Him Overdosing”

Juice WRLD did not keep it a secret that he was self-medicating to help him cope with the pain of his depression, anxiety, and other mental health concerns. Throughout his musical career, the late Chicago rapper was open about his struggle with substance abuse, as well as addiction and more. 

On “Wishing Well“, which appears on his posthumous studio album Legends Never Die, Juice WRLD sings: “If it wasn’t for the pills, I wouldn’t be here/But if I keep taking these pills, I won’t be here”. The line is a sad view of how the artist, whose real name was Jarad Higgins, saw his battle.

His mother, Carmella Wallace, has spoken freely about her son’s death, as well as his addiction issues. In a new interview for ABC 7 Chicago, she explains the purpose of the Live Free 999 organization, as well as the reason why she continues to remind people about Juice’s addiction.

“It was devastating, but one thing I decided early on was, I was not going to hide the fact that he died from a drug overdose,” said Carmella Wallace about her son’s death. “I didn’t want to keep that secret because a lot of people deal with that every day”. 

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She says that she and Juice often spoke about his struggles with mental health. She even asked him to seek professional treatment instead of continuing to abuse pills.

“I said, ‘if you have anxiety, then you need to get medicated properly for it instead of medicating yourself,’” added Wallace. “I talked to him about it. I told him my biggest fear was him overdosing on the stuff. That’s why I made the decision I have to talk about it with other people. I can’t keep that as a secret.”

She goes on to say that, while Juice was a superstar in the eyes of his fans, to her, he was just Jarad.


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“Juice Wrld was an icon but Jarad was my son,” she said. “I didn’t treat him like a celebrity. In fact, the first time I saw him perform, it was in Chicago. I forget where, but I saw the crowd and I saw the girls and ‘take a selfie with me.’ He was pumped up. He was still living with me at the time and when he came home, I said, ‘take out the garbage,’ because I just wanted him to stay humble.”

As of late, a collaboration between Juice WRLD and XXXTentacion has been teased by DJ Scheme and Cleopatra Bernard, XXX’s mom. Ally Lotti, Juice’s girlfriend, stated on Twitter that she “doubts” it will ever come out though. Read more about that here.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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