Entertainment
KILLY & Y2K Find The Melodic Side Of Heartbreak On “OH NO”
Y2K struck up a hit last year alongside Vancouver-bred rapper bbno$ with their viral Billboard Hot 100 hit “Lalala.” The Arizona-bred producer decided to keep it in Canada for his latest collaboration, linking up with Toronto’s own KILLY for a trap-inspired breakup anthem titled “OH NO.”

Image: Jason Koerner/Getty Images for Republic Records
Although the first 10 seconds of the track start off slow and even incorporates languid lyrics throughout, the vibe changes for the better once Y2K’s head-thumping instrumental kicks in and makes you forget that the song is actually even about heartbreak. KILLY flows effortlessly as his fans would expect, ultimately creating a collab that works whether you want to turn up in the club or cry in the crib.
Listen to “OH NO” by KILLY and Y2K right now below and on whatever streaming service you have a breakup playlist on.
Quotable Lyrics:
Baby, I’ma right my wrongs
Been complacent way too long
Did so much, still not enough
I cannot go any longer pretending that I do not wanna move forward
There’s some things I can’t explain
Double down, I up the stakes
Keep me humble, keep me safe
I am so sorry that I can’t keep living a life that was never meant for me
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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