Music
“Last Heroes” (LP) by Marc Miner
It’s easy to hear Marc Miner’s influences after hearing Last Heroes a single time.
Each of the album’s eleven cuts owes some degree of debt to outlaw country. He doesn’t go as far as directly mimicking the anthemic streak in progenitors such as Jennings, Nelson, or Hank Jr. – but there are other echoes. Fans of alt-country in recent years may hear some Hank Williams III in Miner’s work. I’m not saying he’s a direct influence, but that they share the same thrust.
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It cuts across the decades. “Sweet Revenge” checks off time-tested boxes while still displaying a distinctive character. Miner culls his tale from an unique collision of a love story with a criminal slant full of lyrical blood and thunder. His musical arrangement and attack for the song provide a crucial understated counterpoint to the graphic content of the words. There are affectations on his singing, but it isn’t ever heavy-handed.
“Girl Gone Bad” swings in a more neanderthal direction. Miner has very different aims with a song such as this, he’s content throttling listeners over the head with an obvious arrangement, but he does infuse the risqué lyrics with a lascivious bite that pushes the song right up to the edge. It’s a stylized number, obviously, but I do appreciate the ruthless rumble powering this track.
He turns back to more nuanced songwriting ambitions with the next few songs. “Nicki & Bob” is arguably the album’s best-realized story. It has a fully fleshed-out musical vision though, make no mistake, and the spot-on percussion pushes it forward at the right pace. It’s the lead guitar playing, however, that leaves the deepest mark on listeners, particularly with the playing during the song’s second half.
“Last Hero’s Gone” is a right, compact performance and one of the album’s most complete packages. Falling into cliché with these sorts of songs is an inherent risk, but there’s a consistent ring of experience lived rife throughout these cuts. Some listeners may hear a certain amount of posing with these songs, a measure of self-consciousness, but I hear his energy more than any sort of excessive earnestness.
He turns in a performance beyond his years with the song “Hero of Laredo”. I’m really taken with this song the way he invokes a palpable setting for his tale of an one-time street criminal’s rise to the top of the pyramid. Miner outfits the song with a tempo that keeps the song percolating from the start and gives impetus to his performance.
“Heavy Bones” is one of the album’s hardest hitters, especially thanks to its chorus. It’s an obvious choice for a single based on that aforementioned chorus alone. He flexes his bluesy muscles with this track and layers his singing with a thick gravel tone that squeezes every drop of soul from the song. “Home Ain’t No Place for Me” gets some of its melancholy glow from the elegant organ playing during the song’s second half. It’s a downcast mid-tempo amble that has a little bit of a nudge tucked into the performance.
Marc Miner writes and records something for everyone who loves Americana and alt-country. Last Heroes isn’t a lightweight release and Miner conveys a commanding personality with each of its eleven tracks.
Kelly McKinnon
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“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes
“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.
A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.
Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.
By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.
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“Do You Still Remember?” by Khynan Rhys turns heartache loss into soulful harmony
At the age of 18, Khynan Rhy, a solo musician and multi-instrumentalist from Northwich, Cheshire, demonstrates exceptional maturity in his songwriting capabilities, indicating a wisdom that transcends his years. His sophomore single, “Do You Still Remember?” is a heart-stirring attestation to his musical aptitude and emotional profundity. It intricately weaves together a sonic narrative that encapsulates poignant lyricism, authenticity, and evocative melodies, effectively exploring the aching nostalgia of separation and longing.
Drawing on a rich palette of influences like Artemas, Daniel Caesar, and Ocean Alley, Khynan crafts a familiar sound and style that is distinctly his own. The track opens with a delicate interplay of introspective guitar melodies and ethereal synth layers, creating an atmospheric canvas that perfectly frames his soulful vocal delivery. The production, entirely helmed by Khynan and polished by Ben Booker’s mastering touch, feels intimate yet sophisticated without stripping away an ideal balance that lets the emotion shine through the song’s soulful compulsion.
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Through this second release, Khynan Rhys establishes himself as an emerging star poised for lasting impact, building upon the initial success of his debut single, ‘Closed Doors.’ He expresses emotional vulnerability that invites audiences to engage with his work. “Do You Still Remember?” offers a moment of introspective reflection on the sorrow of losing someone once deemed irreplaceable, proving that even in our most solitary experiences, music can make us feel less alone.
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