Music
Lil Baby Fans Are Convinced He Was Robbed After Doja Cat Won Best New Artist At The AMAs
Getty Image Doja Cat’s win has some hip-hop fans up in arms. …
Lil Baby may own a semi-permanent spot on the Billboard 200 top 10 as his album My Turn is one of the best-selling albums of the year but that hasn’t been enough for his fans. They’re convinced he deserves more recognition — especially after missing out on a number of key awards this year despite impressive sales of both My Turn and its singles “Emotionally Scarred” and “The Bigger Picture.”
Last night at the American Music Awards, Lil Baby was one of the six artists shortlisted to win Best New Artist alongside DaBaby, Doja Cat, Lewis Capaldi, and Roddy Ricch. Doja Cat ultimately took home the award, leaving Baby’s fans doubly disappointed after he failed to win Album Of The Year at the 2020 BET Hip-Hop Awards — an award that went to Roddy Ricch for Please Excuse Me For Being Antisocial.
The double “L” sent the Atlanta rapper’s fans to Twitter in droves to express their discontent. “How the hell Doja cat win over Lil baby i’m tired of that man getting robbed,” read one complaint. Another referenced Doja’s chat room scandal from a few months ago (because once the narratives are set, they’re impossible to correct): “YALL TELLIN ME LIL BABY LOST TO DOJA CAT??” wrote the apoplectic fan. “OL GIRL WHO WAS IN CHAT ROOMS WIT RACISTS???”
How the hell Doja cat win over Lil baby i’m tired of that man getting robbed
— peter (@gloryboypeter) November 23, 2020
YALL TELLIN ME LIL BABY LOST TO DOJA CAT?? OL GIRL WHO WAS IN CHAT ROOMS WIT RACISTS ???
— sir geo (@geoovenchy) November 23, 2020
Naturally, in an era where anyone with an email address can have a platform, people will share their opinions (and we all know what they say about those). Lil Baby seems unbothered about both losses, choosing not to respond for the most part, but it seems he’ll have to be satisfied with just having a best-selling album, two of the biggest singles of the year, and a legion of adoring, loyal fans who will take offense for him when they feel he’s been slighted.
They robbed @lilbaby4PF of Artist of the Year again and gave it to @DojaCat wtf. #AMAs2020 #dojacat #lilbaby
— Big Tone (@darealtonee) November 23, 2020
the AMA’S was definitely rigged .. cus how tf @DojaCat win over @lilbaby4PF and @theestallion we need a recount ASAP!
— the moneybagg $ (@xxalexisss_) November 23, 2020
I love Doja Cat, but she shouldn’t have beat Da Baby, Lil Baby, Roddy or Meg for best new artist #AmericanMusicAwards
— Caramel (@_Lashea29) November 23, 2020
no hate … but HOW did Doja Cat beat Lil baby, DaBaby, Roddy, AND Maegan !?!? #AMAs2020
— XXII•XII (@paaytenm) November 23, 2020
they really don’t wanna see lil baby win man … like doja cat over him ???? wtf
— slimjimmm. (@somuchjordan) November 23, 2020
Doja cat over lil baby and roddy ricch?!? I laughed out loud
— Tyler Keefe (@Chief_KEEFE13) November 23, 2020
Not the amas dubbing summer walker, meg, and lil baby for some damn doja cat
— a1rob._ (@LAKIATOCUTEE) November 23, 2020
How tf dis DOJA CAT win new artist of the year. Over Lil Baby, Roddy & dababy?
— I’ll tell you what (@This_is_Jay_) November 23, 2020
Check out more fan responses above.
Some artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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