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Lil Baby Fans Are Convinced He Was Robbed After Doja Cat Won Best New Artist At The AMAs

Getty Image Doja Cat’s win has some hip-hop fans up in arms. …

Lil Baby may own a semi-permanent spot on the Billboard 200 top 10 as his album My Turn is one of the best-selling albums of the year but that hasn’t been enough for his fans. They’re convinced he deserves more recognition — especially after missing out on a number of key awards this year despite impressive sales of both My Turn and its singles “Emotionally Scarred” and “The Bigger Picture.”

Last night at the American Music Awards, Lil Baby was one of the six artists shortlisted to win Best New Artist alongside DaBaby, Doja Cat, Lewis Capaldi, and Roddy Ricch. Doja Cat ultimately took home the award, leaving Baby’s fans doubly disappointed after he failed to win Album Of The Year at the 2020 BET Hip-Hop Awards — an award that went to Roddy Ricch for Please Excuse Me For Being Antisocial.

The double “L” sent the Atlanta rapper’s fans to Twitter in droves to express their discontent. “How the hell Doja cat win over Lil baby i’m tired of that man getting robbed,” read one complaint. Another referenced Doja’s chat room scandal from a few months ago (because once the narratives are set, they’re impossible to correct): “YALL TELLIN ME LIL BABY LOST TO DOJA CAT??” wrote the apoplectic fan. “OL GIRL WHO WAS IN CHAT ROOMS WIT RACISTS???”

Naturally, in an era where anyone with an email address can have a platform, people will share their opinions (and we all know what they say about those). Lil Baby seems unbothered about both losses, choosing not to respond for the most part, but it seems he’ll have to be satisfied with just having a best-selling album, two of the biggest singles of the year, and a legion of adoring, loyal fans who will take offense for him when they feel he’s been slighted.

Check out more fan responses above.

Some artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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