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Lil Jon Isn’t Happy With A Republican Congressman Citing His Lyrics

Getty Image The rapper had some words for the MAGA-supporting politician from Arizona. …

Lil Jon has found himself in the midst of a Twitter feud with a conservative politician. Arizona Congressman Paul Gosar, who was up for reelection this year, tagged the rapper in a tweet which (incorrectly) cited his lyrics — and Lil Jon wasn’t having it.

Gosar, who proudly proclaims himself a MAGA “constitutional conservative,” was running for office against his Democratic challenger Delina DiSanto. At the time, Gosar was holding 69.69 percent of the votes, so he tried to land a joke about the number by referencing Lil Jon’s 2002 hit “Get Low.” Gosar tagged Lil Jon in the tweet, and the rapper wasn’t pleased.

Responding to Gosar’s dig, Lil Jon wrote, “DONT QUOTE MY SONGS BRUH,” then asked if the congressman was going to help Trump pack up and leave the White House.

Lil Jon isn’t the only rapper who has recently clashed with a Republican politician over social media. When Cardi B and Megan Thee Stallion released their internet-breaking collaboration “WAP,” many had their opinions about the raunchy track — including a few conservative politicians. A Republican running for Congress in California’s 33rd District was in an uproar about the song, tweeting that the rappers are “what happens when children are raised without God and without a strong father figure.” He added that he had to “pour holy water” in his ears upon hearing it.

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Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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