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Mariah Carey Says Son Moroccan Was “Bullied By A White Supremacist”

In an appearance on Andy Cohen’s Watch What Happens Live on Thursday night, Mariah Carey shed some light on a racist encounter she and Nick Cannon’s 9-year-old son, Moroccan, recently faced.

“Rocky just got bullied the other day by a white supremacist person that he thought was his friend,” Carey said. “It’s like, insane. So, this is the world we live in.”

The incident came up when Cohen and Carey were discussing the impact prejudice had on her own upbringing. Carey went on to say that she reads Moroccan and his twin sister, Monroe, segments from her recently-released autobiography, The Meaning of Mariah Carey, in order to help them better understand the world and situations like the one Moroccan faced.

“I’m reading chapters to them that are helping to illustrate my encounters with racism, and how they can then have a greater understanding, and ultimately a greater reservoir with which to deal with the situation itself,” Carey shared.

mariah carey and her son morrocan

Mariah Carey and her son Morrocan in concert, 2017 – Nicholas Hunt/Getty Images

In the interview, Carey also speaks on what it was like to grow up biracial in a predominantly white area. She tells of an experience in school in which she was assigned to draw a picture of her family and was “traumatized” by her teacher assistants, who reprimanded her for using a brown crayon for her father, not knowing he was black. She also talks about an incident in which a childhood friend came to her house and became terrified upon finding out that Carey’s father was black, having only met Carey’s white mother prior to that day. The racial experiences Carey details in her book ring very relevant, considering today’s cultural weather.

“It’s been a struggle for me since I was aware that there was such a thing as race. And the only reason I was aware so early on was because it became a subject of humiliation for me as a child,” said Carey.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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