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Kanye West Fires at Cardi B and Industry Peers in Explosive Twitter Rant

HonkMagazine

Kanye West is back in the spotlight, and this time, he’s making headlines for another outburst on social media aimed at some major names in the rap world. Known for his outspoken nature, Ye has been throwing shade at former collaborators, including Future, Metro Boomin, Tyler, The Creator, and Playboi Carti. However, what got people talking was his bold comment about Cardi B. In his latest Twitter post, Kanye referred to Cardi as “used,” sparking a flurry of reactions online. While he didn’t elaborate on what he meant, the comment has left fans and critics buzzing with speculation. If there’s one thing we know about Kanye, he doesn’t shy away from voicing his thoughts about others in the music industry.

But Cardi isn’t the only artist he targeted. Kanye also called out Future and Metro Boomin, claiming they ghosted him regarding a planned remix of a song called “Like That.” In a tweet, he expressed his disappointment, saying they contacted him to join the remix, but after he mentioned a music executive, they stopped responding and didn’t release the song on streaming platforms. His criticism didn’t end there. Tyler, The Creator, known for his unique style and creativity, was also in Kanye’s sights. Ye dismissed Tyler’s entire music career harshly, saying he’s never made a memorable song and that his last album borrowed too much from Kanye’s style.

Kanye’s issues with Playboi Carti were more personal. He revealed that Carti had contacted Kim Kardashian, suggesting that his daughter, North West, join him on a song. Kanye made it clear that he disapproved of this idea, stating, “I DECIDED NORTH WONT BE DOING ANY SONGS WITH CARTI,” emphasizing that it wouldn’t look good for him if his daughter was involved after he was left off a project. These latest rants from Kanye showcase both professional and personal frustrations as he continues to engage in public disputes. It’s unclear if these tensions will escalate, but Kanye West isn’t holding back his opinions on the music industry.

Artist Spotlight

Blake offers a dreamlike sound set in a timeless forest with latest release “Blake”

Esma

Esma enters a symbolic, emotionally charged world with the latest release, “Blake,” that feels more like a psychological ritual than a song. Inspired by William Blake’s poetic universe, the haunting line, “My specter around me night and day / Like a wild beast guards my way,” creates a sense of unease and mystery. From here, listeners enter a dark world of identity, fear, and truth.

“Blake” is a dreamlike art film set in a barren, timeless forest, rendered in ancestral black-and-white imagery. The song’s visual and emotional story follows Esma and a masked female figure, the “specter,” the hidden self most people try to hide. It becomes a struggle between social masks and buried truths, light and darkness, survival and emotional surrender.

“BLAKE is the name we give to everything we can’t say in public.” Esma’s description of the song is perfect. The release’s emotional heartbeat is that idea. “Blake” invites listeners to accept their hidden truths and silenced parts.

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Artist Spotlight

Mark Moule delivers “Only Love,” an EP born from dreams and growth

Mark moule

Mark Moule’s new EP, “Only Love,” is a 4-track rock release inspired by ideas that have been bubbling in Moule’s mind for years. The title track was written over 15 years ago, and the 1st verse came from a dream.

The themes are even more relevant now than when they were first written. Recording with McManus was a learning experience for all, informing the final sound. The EP opens with “Coming Down,” which has a release of sorts as pressure gives way to reflection. It sets the tone of authenticity and openness, the unfiltered vibe of the project.

At its center is “Only Love,” the EP’s emotional heart. The song has a long creative history, with ideas conceived over 15 years ago. The first verse came to mind, giving its message a surreal quality. It is about unity and emotional truth and feels even more relevant today.

“Where’s The Money Gone” becomes a question and a social reflection. It delves into the uncertainty, value, and frustration of modern life. The rock sound is straightforward and searching. “Killer” brings the EP to a close with darker rock energy. It builds tension and emotion, plus it has a powerful ending. This is a cohesive EP forged by time, growth, and reflection.

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