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NAY PORTTELA flow into serenity with “River”

Nay Porttel

“River”, the latest release from NAY PORTTELA, is a fuzz-pop number that shows music can be both weird and wild. With fellow Hanoi native Dattie Do, the subject matter seems calm on the surface but builds into an intricate web of undercurrents that rewards deep thought. “River” is an invitation into a world poised somewhere between continents and moods. NAY PORTTELA’s signature touch is apparent throughout; every chord and harmonic shift sounds considered yet inevitable, a meeting point of accuracy and feel.

Then there is the voice of Dattie Do, lilting and insistent, which moves through the arrangement like sunlight on rippling water. Her delivery is softly intimate, anchoring the low-key dreaminess of the song’s blissful instrumental glide. As NAY and Dattie team up, they produce a timeless chemistry, the sort of partnership that reaches through language, across geography.

“River” is an evocative journey through feeling and artistry, paying respect to the origins of Bossa Nova while embracing the freedom of contemporary jazz. It’s as though NAY PORTTELA has constructed a bridge between worlds, from Hanoi to Rio, from tradition to the cutting edge, and asked us all to march across it. “River” is a testimony on how music, when made with genuine care, can flow us seamlessly downstream towards something akin to beauty and eternity.

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Artist Spotlight

Trashy Annie Drops a Grit-Soaked Masterpiece with “Let It Kill You”

Trashy Annie

“Let It Kill You,” a 12-track rock journey by Austin’s own Trashy Annie, is now out. It captures everything bold, gritty, and unapologetically honest about modern rock. Award-winning songwriter Annie Davis leads the band. They thrive on the beautiful clash of outlaw-country storytelling and explosive hard rock energy. This new record is their most daring work yet.

“Let It Kill You” is 38 minutes and 18 seconds long, taking listeners on an emotional rollercoaster from heartbreak to redemption and chaos to clarity. It’s the sound of a band that won’t play it safe; instead, they choose to live and die by the fire of their art.

The album starts with loud guitars and vocals that cut through the noise, making it clear right away that Trashy Annie is a force in rock music. “Save Me” mixes the raw power of electric riffs with the vulnerability of soul-baring lyrics. “Some Strange” has a dark, bluesy swagger that oozes danger and desire. Then there’s “Sugar,” a sexy song that stands out because of its catchy hooks and Annie’s fierce, intoxicating voice.

Each song sounds like a page from Annie’s diary, written without fear, emotion, or editing. The band’s blend of country grit, classic rock chaos, and a modern edge makes “Let It Kill You” impossible to ignore. Trashy Annie was born during the pandemic and made in fire. She stands for the spirit of rebirth and rebellion. “Let It Kill You” is a way of life. It’s about going after your passion so hard that it could kill you, but doing it anyway because that’s what makes life real.

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Artist Spotlight

Roxy Rawson Finds Light in the Shadows with “I Found a Place in the Woods”

Roxy Rawson

Music is very sacred because it can convey both pain and peace simultaneously. Roxy Rawson‘s new single, “I Found a Place in the Woods,” does just that. This haunting, ethereal masterpiece by well-known composer Jherek Bischoff is out now on November 7th. It’s an emotional landscape made up of solitude, strength, and quiet rebirth. Roxy Rawson transforms folklore into a deeply personal story about her own journey through divorce and starting anew, inspired by the fairy tale “The Three Ravens.” The song takes you to a magical place where loss and healing meet, where grief slowly gives way to hope under the cover of old trees.

Bischoff’s production is both rich and delicate. It layers Rawson’s angelic voice over haunting strings and textures that seem to breathe with life. The song has an organic stillness to it, like being in the woods after a storm, when all you can hear is the rustling of leaves and the sound of your own heartbeat. Roxy’s voice is both weak and strong, like sunlight coming through branches after a long night. Every lyric feels like it was meant to be, and every pause makes you think. It’s the sound of finding yourself again in nature’s quiet embrace, a moment of giving up that turns into a song of survival.

Rawson doesn’t just give you a melody with “I Found a Place in the Woods.” She provides a safe place for you to go. It’s the kind of song that sticks with you long after it ends, like a memory of finding peace in the middle of chaos. This song is one of Roxy Rawson’s most personal and mighty works to date. It’s perfect for fans of ethereal storytelling, cinematic folk, and emotional honesty. It reminds us that beauty can flourish even in the face of loss, and that sometimes healing begins with simply finding a quiet place to be.

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