Album Review
“Once Upon a Time” by Universal Dice
I hope that Universal Dice’s new album release Misfit Memoirs reaches the largest possible audience. The first two singles from the release, “Curse” and the latest song, “Once Upon a Time”, offer evidence that the Gerry Dantone-led project has reached a new peak. “Once Upon a Time” continues developing the band’s songwriting wont for story-focused art that lacks pretentiousness or self-indulgence. The band’s work thus far is a reassuring reminder that ambitious rock works are still out there and deserve maximum exposure. His ability to realize such ambitions without ever descending into unnecessary pomp sets the band’s work even further away from the status quo.
It isn’t an easy balance to maintain. Rock music, reaching back decades, is rife with examples of ham-fisted marriages between ambition and accessibility. Songwriters guilty of overreach have drug potentially great works down with overwrought tendencies. Gerry Dantone’s songwriting avoids such pitfalls. “Once Upon a Time” has an intimate climate. It gives individual listeners the impression that Universal Dice is performing for them alone. The development of the songwriting reinforces this.
Dantone wisely employs a first-person point of view for the lyrics. It gives “Once Upon a Time” storytelling attributes that prod listeners to hang with every word. He sketches out the details with broad strokes focused on significant details rather than weighing down the writing with needless adornments. It is impossible to say for sure without knowing more, but the single comes across as if the words and music came together. I think Dantone began the process with a clear idea of what he wanted the song to say.
It is a certainty that makes the listening experience such a pleasure. There’s surefooted confidence present in each second of this four-minute-long track. However, it isn’t ever strident, and the mid-tempo unfolding of the performance has a calm and considered demeanor. This prevailing mood drew me deeper into its storytelling web. It inspired faith in Dantone’s artistry from the start, and he never gave me a reason to reconsider.
The lyrical brevity underlines the aforementioned certainty. Dantone doesn’t waste a single word in the writing of this track, and his word choices do not disappoint. “Once Upon a Time” pulls no punches. It fleshes out an unforgiving world that Dantone’s sensitive vocal tempers with its thoughtfulness. We experience the emotions present in the song’s words rather than consuming them on a strictly intellectual level.
One of the hallmarks of Universal Dice’s work is the striking balance it maintains between the mental and physical. Dantone and his bandmates have made a name for themselves serving up stimulating musical landscapes capable of moving or entertaining their audience. The lyrical content and concepts are icing on an especially delectable cake. Intelligence and depth distinguish each new outing, and “Once Upon a Time” is no exception. It’s more evidence, if needed, that Universal Dice’s new album Misfit Memoirs will likely rank as their finest collection. We’re lucky to have such meaningful music in times like this, and I hope there’s more to come.
Stacey Winter
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Couldn’t Be Happiers unleashes a harmonious ode to modern existence with its EP “Couple(t)s Side A”
Get ready to be enchanted as North Carolina’s folk-rock duo Couldn’t Be Happiers invites listeners into their universally resonant anthems by releasing their eagerly awaited EP masterpiece, “Couple(t)s Side A.” This ambitious and heartfelt six-track collection brimm with introspection, poetic storytelling, and bold sonic exploration. The timeless melodies EP showcases the duo’s signature blend of heart-on-sleeve authenticity and genre-defying artistry.
More than a clever title, “Couple(t)s Side A” celebrates Jodi Hildebran Lee (playing drums, vocals, harmonica) and Jordan Crosby Lee (guitar, vocals) both as a married couple and as fervent admirers of poetic couplets. Produced in collaboration with Doug Davis of Flytrap Music Production, the EP is a testament to the duo’s harmonious synergy that defines their partnership in music and life. Organized thematically into categories of romantic compositions, protest anthems, and folk narrative ballads, the EP interweaves a complex tapestry of emotion, resulting in a work that is both diverse and cohesive.
The EP evocatively begins with “Come Back Tomorrow,” a euphoric folk-rock brilliance brimming with optimism and hope. With assertive harmonies and striking lead vocals, the track embodies a poignant reflection on the resilience of love and community amidst the uncertainties of modern life. The title track, “When I Die,” follows with a soulful warmth that lays bare life’s imperfections through melancholic yet therapeutic tones.
Each subsequent track deepens the EP’s emotional and thematic complexity. “Plastic Bag Odyssey (I’ll Never Die)” delivers a skillfully crafted critique against societal ills, while “Tear It Down” electrifies with timeless folk-infused grooves and emotive instrumentation. The haunting “Devil’s Tramping Ground” pairs dynamic beats with a dreamlike atmosphere, exploring the euphoria of discovery. Closing the EP, “Pretty Polly” leaves an indelible mark with its hauntingly introspective folk narrative, with trembling vibrato and seamless narrative flow.
With robust instrumentation including sousaphone, melodica, accordion, and musical saw, “Couple(t)s Side A” captures the essence of the duo’s dynamic live performances while pushing the boundaries of their artistry. It’s a sonic odyssey that invites listeners into the intimate, heartfelt world of Couldn’t Be Happiers, blending classic folk vibes with modern, introspective charm.
This EP marks a significant milestone in the duo’s growing discography, highlighting their unique approach to songwriting and storytelling. As Couldn’t Be Happiers continues to evolve and innovate, “Couple(t)s Side A” firmly solidifies its place as an exciting rising voice in the folk-rock scene.
For more information about Couldn’t Be Happiers, please visit [website].
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Album Review
Raised on Candy unveils sonic brilliance with its self-titled album that redefines rock’s nostalgia
Raised on Candy, the electrifying rock trio born from the creative pulse of the San Francisco Bay Area and New York Tri-State has unveiled its eponymous debut self-titled album. With a nod to the golden age of ’90s rock and the raw edge of post-punk and shoegaze, the album promises a transcendent journey that redefines modern rock’s emotional and melodic possibilities.
The 12-track opus marks a significant milestone for the band, featuring Joe Penna (vocals/guitar), Scotty Imp (drums/percussion), and Kevin Harris (bass/vocals). Produced by legendary engineer Steve Albini, “Raised on Candy” is rumored to be their final recorded project, adding an air of historical significance to this groundbreaking release.
The album commences with the invigorating track “Nishuane Park,” characterized by an energizing and euphoric melody alongside a compelling rhythm that underscores the evocative potential of rock music. This introductory song is promptly succeeded by the soul-baring “Lonely Bill,” imbued with melancholic undertones and introspective depth. Subsequent tracks such as “Midnight Creeper” and “Rococo” exemplify the band’s sonic versatility for weaving deftness and soulfulness with dynamic guitar and piano interplay to create rich musical pieces that resonate through a timeless lens of the listener’s emotional clarity.
“Raised on Candy” extends beyond a singular vision. The energetic vibrancy of “Like A Bird” juxtaposes with the nostalgic smoothness of “Maxing The Clink,” creating contrasting yet complementary auditory experiences. Furthermore, compositions such as “Reunion,” “The Ponderosa,” and “Big Game Hunter” engage in profound sonic exploration, eliciting deep emotional resonance. Other tracks include “Soft Metal“ and “Ora.” The album culminates with the hauntingly beautiful track “Whisper Me Your Wish,” which envelops listeners in a synthesis of introspection and melodic excellence.
Every track on “Raised on Candy” attests to the band’s meticulous craftsmanship and relentless pursuit of authentic artistic expression. From shimmering guitar melodies to poignant lyricism, the album traverses a vast emotional landscape, cementing the trio’s place as a powerful force in today’s music scene.
Raised on Candy’s self-titled album is a collection of musical expertise and a profoundly personal adventure through the band’s sonic evolution. It’s a must-listen for rock enthusiasts and anyone yearning for an authentic, introspective experience. “Raised on Candy” is poised to resonate with listeners, solidifying the band’s legacy as pioneers of a new rock renaissance.
For more information about Raised on Candy, please visit [website].
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