Album Review
“Once Upon a Time” by Universal Dice
I hope that Universal Dice’s new album release Misfit Memoirs reaches the largest possible audience. The first two singles from the release, “Curse” and the latest song, “Once Upon a Time”, offer evidence that the Gerry Dantone-led project has reached a new peak. “Once Upon a Time” continues developing the band’s songwriting wont for story-focused art that lacks pretentiousness or self-indulgence. The band’s work thus far is a reassuring reminder that ambitious rock works are still out there and deserve maximum exposure. His ability to realize such ambitions without ever descending into unnecessary pomp sets the band’s work even further away from the status quo.
It isn’t an easy balance to maintain. Rock music, reaching back decades, is rife with examples of ham-fisted marriages between ambition and accessibility. Songwriters guilty of overreach have drug potentially great works down with overwrought tendencies. Gerry Dantone’s songwriting avoids such pitfalls. “Once Upon a Time” has an intimate climate. It gives individual listeners the impression that Universal Dice is performing for them alone. The development of the songwriting reinforces this.
Dantone wisely employs a first-person point of view for the lyrics. It gives “Once Upon a Time” storytelling attributes that prod listeners to hang with every word. He sketches out the details with broad strokes focused on significant details rather than weighing down the writing with needless adornments. It is impossible to say for sure without knowing more, but the single comes across as if the words and music came together. I think Dantone began the process with a clear idea of what he wanted the song to say.
It is a certainty that makes the listening experience such a pleasure. There’s surefooted confidence present in each second of this four-minute-long track. However, it isn’t ever strident, and the mid-tempo unfolding of the performance has a calm and considered demeanor. This prevailing mood drew me deeper into its storytelling web. It inspired faith in Dantone’s artistry from the start, and he never gave me a reason to reconsider.
The lyrical brevity underlines the aforementioned certainty. Dantone doesn’t waste a single word in the writing of this track, and his word choices do not disappoint. “Once Upon a Time” pulls no punches. It fleshes out an unforgiving world that Dantone’s sensitive vocal tempers with its thoughtfulness. We experience the emotions present in the song’s words rather than consuming them on a strictly intellectual level.
One of the hallmarks of Universal Dice’s work is the striking balance it maintains between the mental and physical. Dantone and his bandmates have made a name for themselves serving up stimulating musical landscapes capable of moving or entertaining their audience. The lyrical content and concepts are icing on an especially delectable cake. Intelligence and depth distinguish each new outing, and “Once Upon a Time” is no exception. It’s more evidence, if needed, that Universal Dice’s new album Misfit Memoirs will likely rank as their finest collection. We’re lucky to have such meaningful music in times like this, and I hope there’s more to come.
Stacey Winter
Album Review
Big O redefines artistic evolution with “When it’s Not Said, But Done” album
Big O’s “When it’s Not Said, But Done” is a whisper of transformation narrated through rhythm, texture, and space. Across its fifteen tracks, spanning just under forty-seven minutes, Big O sacrifices flash for feeling and ego for essence.
The production feels like an artist who has finally quit chasing something external and is instead listening inward. The flow of the album is methodical but organic, with each track leading into the other as if they were diary entries. On “Free Spirit,” Big O creates a soundscape that embodies freedom in action, with rhythms that propel you forward. It’s one of those rare songs that can be at once contemplative and propulsive, with a slow revelation. And also, “New Found Joy” is an anthem for rebirth.
Big O’s production vision here is sweeping and cinematic, but also intimate. The presence of live musicians gives an organic texture. Jeronimo G’s xylophone on track nine tolls like an intimate conversation, while IB Delight’s saxophone on track ten blows satisfying warmth and longing into the mix. These collaborative moments are the crucial parts of Big O’s unfolding language.
Every choice, from the minimal artwork by Andriyan Robby to the in-house mixing and mastering by Big O himself, is consistent with the album’s spirit of transformational thought. In “When it’s Not Said, But Done,” Big O has created a statement on silent courage. It is an album for those who know that, in reality, real change does not need to be shouted from the mountaintops, but only heard, felt, and lived.
Album Review
W.C. Beck delivers a balance of stillness and introspection on ”A Mostly Quiet Life”
Singer-songwriter W.C. Beck has long been admired for his reflective storytelling and innovative approach that transcends traditional musical genres. His latest album, “A Mostly Quiet Life,” invites you into a realm where quiet moments possess considerable significance. The album spans slightly over 35 minutes and comprises eight tracks, offering a delicate yet bold exploration of life’s softer spaces, infused with subtle rock undertones amidst Beck’s signature mellow vocal style.
At first listen, two tracks prominently establish the thematic duality of the album: “Every Drop of Water” and “Blue Umbrella.” The former features a slow-burning intensity, built around subtle guitar textures and Beck’s emotive vocal delivery. It captures the essence of meditation, reminding us that even the smallest gestures and overlooked moments shape who we are. Conversely, “Blue Umbrella” introduces a different shade of his artistry, filled with wistful imagery and an almost cinematic essence, blending melancholy with underlying hope.
While firmly rooted in folk traditions, Beck incorporates elements of Americana, indie-rock, and singer-songwriter balladry, resulting in a sound that feels both timeless and uniquely his own. Unlike many records that tend to emphasize either softness or grit, Beck creates an atmosphere where both can coexist, allowing for reflection without losing momentum. With this release, W.C. Beck not only strengthens his reputation as a master storyteller but also reminds us that even in a fast-paced world, there is profound power in living quietly.
The album fosters introspection by exploring themes of solitude, ephemeral love, and the beauty that can be found in stillness. It transcends the notion of a collection of songs and is more akin to a journal, a quiet yet deeply expressive chapter in Beck’s musical journey. “A Mostly Quiet Life” serves as a compelling offering, ideally suited for late-night listening or those moments when life slows down enough to be genuinely appreciated. Beck illustrates that quiet doesn’t equate to stagnation; rather, it is within these hushed intervals that music can resonate most powerfully.
For more information about W.C. Beck, please visit [website].
CLICK HERE TO STREAM W.C. Beck’s ”A Mostly Quiet Life’‘ on Spotify.
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