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ONE FLEW OVER soars to new heights with a rollercoaster of sonic brilliance, “Not Good For Me”

ONE FLEW OVER

ONE FLEW OVER, the compelling duo comprising Irene Ní Chuinn & Martin Quinn, unveils the dynamic realm of their latest sonic single, “Not Good For Me.” This single, the fourth in their repertoire following “Liar Liar,” “Rise,” and “Maybe In Another Lifetime,” catapults the Kells-based duo to the forefront of the industry.

The duo’s impressive discography has created a sonic masterpiece, “Not Good For Me,” showcasing its seamless fusion of vintage R&B rhythm intertwined with the raw energy of Rock, Pop, and Soul. Irene Ní Chuinn’s hauntingly emotive vocals lead the listeners through a captivating narrative of inner turmoil, which explores the magnetic pull of a toxic relationship towards an invigorating yet detrimental individual. The band’s exceptional ability to blend multiple genres while maintaining a distinct sound sets them apart as a rising force in the industry.

The song commences with a tantalizingly tense ambiance, setting the stage for drum and bass grooves that quickly become infectious as the track progresses, with layers of strings, guitars, and vocals converging into a dense production, creating a captivating musical tapestry. The final coda is a cinematic conclusion that leaves an indelible mark, an uncomfortable yet resonant echo.

Produced by Martin Quinn and recorded/mixed at JAM Studios in Kells, Co. Meath,Not Good For Me” showcases the duo’s versatility. Irene Ní Chuinn’s vocals, coupled with Martin Quinn’s instrumental prowess, form a synergy that elevates the song to intimacy and grandeur.

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The lyrics delve into the complexities of attraction to someone who remains irresistible despite being a source of pain. It’s a relatable theme delivered with authenticity and finesse, an auditory experience that invites listeners to explore the nuanced emotions that define a human connection, making the track ecstatic.

As this talented duo continues to carve its path and push boundaries, “Not Good For Me” bears witness to ONE FLEW OVER’s artistry and solidifies its position as a musical trailblazer, promising to become an enduring presence in the music landscape. Keep your ears tuned to this musical phenomenon on the rise.

 

For more information about ONE FLEW OVER, please visit [website]. 
CLICK HERE TO STREAM ONE FLEW OVER’s Not Good For Me on Spotify.
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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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