Music

Open Mike Eagle’s Absurd ‘Headass (Idiot Shinji)’ Video Explains How Black People Talk

With help from Jak Knight and Video Dave, Open Mike breaks down how overthinking makes headasses of us all. …

In the new video for “Headass (Idiot Shinji)” from his album Anime, Trauma, And Divorce, Open Mike Eagle recruits comedian Jak Knight (who’s crafted a niche lane for himself as rap’s go-to cameo comic) to break down the meaning behind the slang term in a segment titled “How Black People Talk.” After a fed-up Professor Jak reaches his limit of explaining the phrase — which doesn’t take long — he pops in a VHS (ah, nostalgia) of the actual music video and lets Mike and Video Dave do the talking.

Because Open Mike Eagle has such an absurdist streak, he naturally appears as a person with a literal gluteus maximus on his cranium to lead a “headass support group.” Lyrically, Mike and Dave recount some of their headass, over-analyzing moments from past relationships and their anxieties about their rap careers.

If I can be headass for a moment here, I feel like I need to explain where the “Idiot Shinji” portion of the song’s title comes from for those readers not well-versed in the first item from Mike’s album title. In the anime Neon Genesis Evangelion, which is about (among other things) a lot of trauma and the ways people deal with it (or refuse to), the lead character, teenaged robot pilot Shinji Ikari, is nicknamed “Idiot Shinji” by his fellow teenaged robot pilot Asuka Langley due to his tendency to overthink pretty much every situation he finds himself in — including the life-or-death ones they frequently encounter as the pilots of giant robots.

Artist Spotlight

Crispy C Notes brings focused ambition on latest release “Chosen”

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The song’s strength lies in its delivery. Crispy C Notes glides through measured cadences with sure-footedness, giving each verse gravity and lift. His writing is always spot-on, emphasizing determination and personal conviction with a clean lyrical approach. The sparse production plays to the song’s advantage, highlighting the vocal performance without overpowering it. It’s a balance that makes the listener feel that every rhythmic change and lyrical accent is intentional and serves to emphasize the record’s overarching message.

“Chosen” works because it knows that impact is often a matter of clarity, rather than complexity. C Notes is confident not only in his delivery but also in his songwriting, allowing his personality to flow organically throughout the track. The result is a record that is disciplined in its production but engaging from start to finish, thanks to its expressive flow and thoughtful lyricism. He delivers a project that is a true reflection of artistic growth and creative focus as an independent artist who is still finding his own lane. “Chosen” is a bold statement of self that leaves the listener with a clear impression of the artist’s vision and the direction in which he continues to move.

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And the lyric narrative has this feeling of longing, of broken promises and unanswered questions that feels very personal. Love, honesty, and emotional ambivalence are the main themes as the story unfolds, providing a connection to the song’s sincere viewpoint for the listeners. Maija eschews dramatic flourishes, leaving the expressive delivery and tasteful jazz arrangement to do the emotional heavy lifting. The trumpet, with its own soulful voice, gracefully weaves around the melody, and the supporting instrumentation adds to the song’s intimate character.

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