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Lil Wayne Faces Prison Time Over Firearm Possession Charges

Getty Image Wayne was previously convicted of possession of a firearm in 2010. …

After coming under fire earlier this month for throwing his support behind Donald Trump’s re-election campaign, Lil Wayne faces even more bad news this week. Federal prosecutors have filed charges against the Funeral rapper which could land him in prison for up to 10 years, according to TMZ. Stemming from a December 2019 search of his private plane at Miami-Opa Locka Executive Airport, Wayne’s been charged with possession of a firearm and ammunition by a convicted felon. Wayne was convicted of attempted criminal possession of a weapon in 2009 after a 2007 arrest in New York City for having a .40 caliber pistol in his bag.

Howard Srebnick, Wayne’s attorney, said at the time of the 2019 incident that Wayne was “cleared” to leave the airport despite federal agents finding the guns, but it appears that prosecutors are now following through on the procedure. As a felon, Wayne wouldn’t have been allowed to carry firearms for any reason; while the agents in question may not have felt they had reason to arrest him, apparently, the court is going by the letter of the law in this case. Wayne previously eight months in prison due to his 2007 arrest after being sentenced to a year on Riker’s Island. Things could get worse this time around, although Srebnick maintains that Wayne never “fired it, brandished it, used it or threatened to use it” with regard to his current handgun charge.

50 Cent, who previously mocked the backlash against Wayne for supporting Trump, again trolled the younger rapper on Instagram upon learning of his predicament, writing, “Wait a minute. Trump still got 63 days left. Call him, Wayne. Get that fool on the phone. They gonna try to put you in jail for supporting Trump.”

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Artist Spotlight

Sean MacLeod unveils a danceable rhythm with latest release “Inside Out (Radio Edit)”

Sean MacLeod

Sean MacLeod‘s latest release, “Inside Out (Radio Edit)” is a fun, accessible tune that draws from the best of alternative rock, Britpop, and classic rock influences. There is an immediate sense of movement to the song, with guitars, bass, and drums forming a solid rhythmic foundation, while the tambourine adds extra brightness to the arrangement. Danceable, the track is light and energetic without veering too far from its rock identity.

MacLeod’s delivery on the song is very pleasant, his voice sits well over the instrumentation and keeps the melody front and center. “Inside Out (Radio Edit)” has a simple musical appeal, with vocals and a guitar-led arrangement, but the rhythm keeps the song moving from section to section.

The lyrical imagery of something shifting from nourishing to hard introduces a sense of tension and contrast. There is this idea of looking inside or outside that keeps coming up, adding another layer to the song’s point of view and suggesting a theme of awareness and how situations can appear from different directions.

Sean MacLeod keeps the production artistically focused on the familiar rock ingredients instead of overcrowding the arrangement. Cool guitar licks, a steady rhythm section, and tasteful percussion add character to the song, while the vocal delivery keeps it approachable. In the end, “Inside Out (Radio Edit)” finds MacLeod comfortably straddling the lines between alternative rock and pop-friendly turf, with an arrangement that emphasizes rhythm, melody, and an easy sense of forward motion.

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Artist Spotlight

THROES NYC unveils romance and tension on latest EP “The Wires Out EP”

THROES NYC

THROES NYC’s latest EP, “The Wires Out,” a two-track EP, melds dark alt-pop, trip-hop, and electronic textures with a more melodic, pop-oriented sensibility. The release is a reflection of the creative connection of two Queens, New York natives, multi-instrumentalist/producer Michael Bozzo and vocalist Courtney Leo, who have been making music together since childhood. The project benefits from a natural sense of cohesion, thanks to their shared history, and the production keeps its focus on atmosphere and mood.

The EP begins withAlways, Babyand is rooted in a world of beautiful ambient synths and late-night textures. The track is romantic, but it still retains the project’s darker undertones. Courtney Leo’s voice adds warmth to the electronic surroundings, giving the song a sense of intimacy and dreamy feelings.

Something Chemicalcontinues the shift in emotional temperature, reinforcing the EP’s themes of tension, attraction, and complicated feelings. The production remains spacious and electronic-driven, which gives the two-track release a deep character without overwhelming its melodic path.

The strength in the record lies in the chemistry between Bozzo’s instrumental and production work and Leo’s vocal contribution, generating a sound that feels equally suited to headphones, nighttime listening, and reflective moments. THROES NYC is a project with a distinct sense of atmosphere, melody, and the long-lasting appeal of New York’s alternative music legacy.

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