Music
“Past Memories” by Rob Colm is a forgotten story that finds new life through generations
In a music world full of artificial sentimentality, Rob Colm brings something entirely new with his latest single, “Past Memories.” Lifted to superstardom by no less than his son, the track is something Colm doesn’t even properly remember writing. That taste alone endows the track with an oddball charm, a spirit of creative yore resurrected with fresh ears and new life. “This one was picked by my son. Didn’t even remember writing it!” Colm admits. There’s something quietly poetic about a song the artist himself had nearly forgotten surfacing now as a bridge between generations and possibly borders too.
“Past Memories” is now not the same because Rop doesn’t lean on what is generally on the formula that’s crowding the charts. The production is deliberately muted, a quiet backdrop to let the sentiment speak for itself. Not the sort that’s soaked with melodrama, at least. That is the sound of a moment being put back together by the person it seemed small to at the time but who came to change its weight and held tight to it. What makes “Past Memories” quietly powerful is that it’s music for those who seek connection over perfection and honesty over polish.
There’s no pretense here, only a story that came within a hair’s breadth of oblivion until someone proximate enough gave one damn to bring it back. In a time when having big streaming numbers or a viral moment often dictates musical relevance, Rob Colm clarifies that some of the most touching art comes from unplanned moments and unfiltered emotions. “Past Memories” reminds us that even the forgotten parts of ourselves can find significance and even music when we’d least suspect. On this release, Colm is offering up a sentiment that says the heart of music resides in the things we never meant to say and in the people who still help us say them.
Artist Spotlight
Trashy Annie Drops a Grit-Soaked Masterpiece with “Let It Kill You”
“Let It Kill You,” a 12-track rock journey by Austin’s own Trashy Annie, is now out. It captures everything bold, gritty, and unapologetically honest about modern rock. Award-winning songwriter Annie Davis leads the band. They thrive on the beautiful clash of outlaw-country storytelling and explosive hard rock energy. This new record is their most daring work yet.
“Let It Kill You” is 38 minutes and 18 seconds long, taking listeners on an emotional rollercoaster from heartbreak to redemption and chaos to clarity. It’s the sound of a band that won’t play it safe; instead, they choose to live and die by the fire of their art.
The album starts with loud guitars and vocals that cut through the noise, making it clear right away that Trashy Annie is a force in rock music. “Save Me” mixes the raw power of electric riffs with the vulnerability of soul-baring lyrics. “Some Strange” has a dark, bluesy swagger that oozes danger and desire. Then there’s “Sugar,” a sexy song that stands out because of its catchy hooks and Annie’s fierce, intoxicating voice.
Each song sounds like a page from Annie’s diary, written without fear, emotion, or editing. The band’s blend of country grit, classic rock chaos, and a modern edge makes “Let It Kill You” impossible to ignore. Trashy Annie was born during the pandemic and made in fire. She stands for the spirit of rebirth and rebellion. “Let It Kill You” is a way of life. It’s about going after your passion so hard that it could kill you, but doing it anyway because that’s what makes life real.
Artist Spotlight
Roxy Rawson Finds Light in the Shadows with “I Found a Place in the Woods”
Music is very sacred because it can convey both pain and peace simultaneously. Roxy Rawson‘s new single, “I Found a Place in the Woods,” does just that. This haunting, ethereal masterpiece by well-known composer Jherek Bischoff is out now on November 7th. It’s an emotional landscape made up of solitude, strength, and quiet rebirth. Roxy Rawson transforms folklore into a deeply personal story about her own journey through divorce and starting anew, inspired by the fairy tale “The Three Ravens.” The song takes you to a magical place where loss and healing meet, where grief slowly gives way to hope under the cover of old trees.
Bischoff’s production is both rich and delicate. It layers Rawson’s angelic voice over haunting strings and textures that seem to breathe with life. The song has an organic stillness to it, like being in the woods after a storm, when all you can hear is the rustling of leaves and the sound of your own heartbeat. Roxy’s voice is both weak and strong, like sunlight coming through branches after a long night. Every lyric feels like it was meant to be, and every pause makes you think. It’s the sound of finding yourself again in nature’s quiet embrace, a moment of giving up that turns into a song of survival.
Rawson doesn’t just give you a melody with “I Found a Place in the Woods.” She provides a safe place for you to go. It’s the kind of song that sticks with you long after it ends, like a memory of finding peace in the middle of chaos. This song is one of Roxy Rawson’s most personal and mighty works to date. It’s perfect for fans of ethereal storytelling, cinematic folk, and emotional honesty. It reminds us that beauty can flourish even in the face of loss, and that sometimes healing begins with simply finding a quiet place to be.
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