Music
“Past Memories” by Rob Colm is a forgotten story that finds new life through generations
In a music world full of artificial sentimentality, Rob Colm brings something entirely new with his latest single, “Past Memories.” Lifted to superstardom by no less than his son, the track is something Colm doesn’t even properly remember writing. That taste alone endows the track with an oddball charm, a spirit of creative yore resurrected with fresh ears and new life. “This one was picked by my son. Didn’t even remember writing it!” Colm admits. There’s something quietly poetic about a song the artist himself had nearly forgotten surfacing now as a bridge between generations and possibly borders too.
“Past Memories” is now not the same because Rop doesn’t lean on what is generally on the formula that’s crowding the charts. The production is deliberately muted, a quiet backdrop to let the sentiment speak for itself. Not the sort that’s soaked with melodrama, at least. That is the sound of a moment being put back together by the person it seemed small to at the time but who came to change its weight and held tight to it. What makes “Past Memories” quietly powerful is that it’s music for those who seek connection over perfection and honesty over polish.
There’s no pretense here, only a story that came within a hair’s breadth of oblivion until someone proximate enough gave one damn to bring it back. In a time when having big streaming numbers or a viral moment often dictates musical relevance, Rob Colm clarifies that some of the most touching art comes from unplanned moments and unfiltered emotions. “Past Memories” reminds us that even the forgotten parts of ourselves can find significance and even music when we’d least suspect. On this release, Colm is offering up a sentiment that says the heart of music resides in the things we never meant to say and in the people who still help us say them.
Artist Spotlight
“the wash” by SUUNCAAT turns an ordinary chore into a surreal journey through time
SUUNCAAT’s new single “the wash” dives into new depths of one of life’s most common routines. The track turns the weekly chore of laundry into a surreal setting where time, identity, repetition, and the odd details of daily life start to bleed into each other. It’s a bright, complexly melodic song that makes you return to moments they might otherwise have skipped.
“the wash” is built on the dance of repetition and time. The routine might be the same week after week, but the person living it is constantly changing. That tension gives the single an interesting emotional depth. It’s a familiar act, returning to the same task, and it reminds us that time moves on, even when life can seem as though it has stopped.
The tune is complex enough to support its unconventional point of view musically. “the wash” isn’t simply about washing clothes, but a larger statement about mundane moments signaling a personal shift. The music is full of a sense of discovery that begs listeners to find their own meaning in the repetition.
Adding a visual layer to SUUNCAAT’s investigation of the ordinary and the uncanny, Tokyo-based photographer Tiana Suzuki created the visuals and music video for the track, with Lew Husbands mastering. SUUNCAAT’s new single shows that even a weekly chore can be a way to learn about ourselves and how fast time goes by.
Artist Spotlight
“Sing-Along Songs (Album Version)” finds new energy for Arn-Identified Flying Objects and Alien Friends
Arn-Identified Flying Objects And Alien Friends returns to “Sing-Along Songs (Album Version),” with an album version more consistent with the track’s original creative vision. The song came out in 2024 and featured an unusual mix of upbeat music and ironic lyrics that contextualized dark times.
This new version keeps that distinction but makes the arrangement a little spikier, punkier, and more playful. It blends indie pop and pop punk, fusing punk and power pop with a dash of folk rock. The more upbeat music works especially well against the darker outlook at the heart of the writing, creating a tension that keeps the track interesting rather than too serious.
The most obvious change is the intro, which now feels more in line with the original direction the song was meant to take. Co-producer David Myhr’s background vocals add some lift to the second and third choruses. Another key revision is the updated production.
The different parts of the track have more room to play off each other, with a stronger cohesive overall presentation and a more consistent, clear mix from beginning to end. “Sing-Along Songs (Album Version)” feels like a deliberate refinement, and Arn-Identified Flying Objects and Alien Friends take the new version and grind the song’s contrasting moods for a more polished, playful take on an already upbeat tune.
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