Music
Pop Smoke Joins Kid Cudi And Skepta To ‘Show Out’ To The Masses On Their Lively New Single
The late rapper makes another posthumous appearance on Cudi’s album which also features Phoebe Bridgers and Trippie Redd. …
After announcing his next album would be titled Man On The Moon III: The Chosen back in October in a nostalgic promo video, fans were surprised that the next piece of news from Kid Cudi confirmed that the album would be in their hands in just a matter of days. The Ohio rapper revealed the third installation of the Man On The Moon series would touch down in early December and just a few days after revealing its cover and tracklist, the album is here and it boasts an interesting and unexpected collaboration between Cudi, Pop Smoke, and Skepta.
The track features drill-heavy production, something that Pop Smoke popularized during unfortunately short career. Despite it fitting right in Pop’s lane, Cudi and Skepta get comfortable with ease on the song, proving for a satisfactory collaboration from the trio. Prior to the song’s release, Cudi spoke to Apple Music’s Zane Lowe about making the collaboration with Pop Smoke happen.
“It was powerful because like I talked to Steven Victor [Pop Smoke’s manager] about this and he said, when he first recorded this song, he had thought of me on it,” Cudi said. “Steven had thought of me on it. The reason why I kind of got this record, Dot Da Genius and Plain Pat had worked with Pop, like before he blew up at the Brewery in New York, at Dot’s studio. And they had this record, they just never did anything with it. It was just something that Dot had on tuck, you know?” He went on to reveal that once Dot Da Genius played him the record, there was no way he could turn it down.
And I was chilling with them one day because Dot’s working on our album and he was like, “Yo, I got this record. I’m going to play it for you. Let me know what you think.” He plays this sh*t. And I’m like, “I need this. Like I need this, man.” I was like, “Nobody’s ever heard me on anything like this. Skepta sounds amazing. Pop Smoke sounds amazing. Like this would be so unexpected. I think I can be on this and I could hold it down and like do my thing.” And this is also another way I can, you know, showcase these bars.
You can listen to “Show Out” above.
Man On The Moon III: The Chosen is out now via Republic. Get it here.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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