Music
Dave Grohl Begins ‘The Hannukah Sessions’ With An Electric Cover Of Beastie Boys’ ‘Sabotage’
The cover arrives just hours after Grohl announced he would spend the next eight days of Hannukah sharing covers by Jewish artists. …
While many artists have spent the past few weeks preparing their best cover of a number of Christmas season classics, Dave Grohl has opted to spend the next week covering songs by Jewish artists as a way to celebrate Hannukah, which officially began at sunset on Thursday. The Foo Fighters frontperson will share a cover on each of the eight nights of the Jewish holiday as a part of The Hannukah Sessions and he began the series with a performance of Beastie Boys’ “Sabotage” with Greg Kurstin.
The two resorted to what appears to be a fairly small room to debut their performance of the group’s 1994 album Ill Communication. With Grohl on the drums and Kurstin on the keys, the two got busy for the electric performance that kicked off The Hannukah Sessions.
In a tweet that he posted to share the new cover, Grohl said, “As the only Rock and Roll Hall Of Famers with a lyric about kugel, we thought it would be a shanda to not kick off this party with New York’s (and Abraham’s) finest.” He added, “known by some as Shadrach, Meshach, and Abedenego known by their Imas & Abbas as @beastieboys !”
In other news, Dave Grohl and the Foo Fighters also have their own taco. The band teamed up with Casa Vega Restaurant in Sherman Oaks, California for the limited-time-only tacos which launched on December 1. You can watch the duo’s first cover in the video above.
Artist Spotlight
“Days Like These” sees Matt Law turn college memories into a powerful rock anthem
Matt Law’s new single “Days Like These” is a breath of fresh air. The track is centered on the energy of summer memories, college friendships, and the thrill of making music with people who really believe in the moment, and it feels like a snapshot of youth at full volume.
Built on a rock foundation of melody and momentum, “Days Like These” is an uplifting rush from start to finish. The single, recorded with fellow students and collaborators at Riverside Music College, captures the excitement of a band finding its sound as it happens.
Matt Law displays himself as an artist with a good instinct for atmosphere and emotional connection. This song’s lively personality is boosted by drummer Taylor Whyte, bassist Alex Duncan, rhythm guitarist Kian Carrol, and lead guitarist Morgan Flanagan.
“Days Like These” is memorable for its ability to get at a universal feeling. It’s about those moments of freedom, uncertainty, and excitement that mark the early years of adulthood, and it still sounds fresh enough to resonate with people well beyond that. Matt Law’s effort is the first shot in the career of an artist who knows how to turn memories into anthems, giving us one perfect for open roads, late nights, and unforgettable summers.
Album Review
Mary Knoblock’s “Peach” album is a tender journey through love, loss, and rebirth
Mary Knoblock’s new album, “Peach,” is a deeply emotional and cinematic world of sound, blending Americana folk, neo-classical dream pop, and storytelling into something intimate. The album is nine songs and just under forty-six minutes, with the feeling of a performance where every scene holds tenderness, heartbreak, longing, and quiet transformation.
“Peach” is inspired by the idea of emotional rebirth and welcomes you with warmth and honesty. Each track is a tender clutch of textures, poetic emotion, and experimental beauty. Her voice and compositions are finely tuned for a strength that makes every moment intimate and alive.
“Mustang Clover” is a free, contemplative track, while “Metal Neon Sky” is a luminous, mysterious, and desirable emotional landscape. The title track, “Peach,” is warm, tender, and exposed, and in a deeply heartfelt way, captures the emotional heart of the album. “Mother’s Eyes” is a piece of emotional depth and memory, and one of the most intimate moments of the project. The album continues with the quiet emotional weight of lead single “I Knew You,” graceful and restrained, balancing love and loss.
“Of The Alpine” evokes a drifting, cinematic sense of lonely isolation that is beautiful and lonely. “Maybe Tomorrow” is a lively, ambiguous song, while “Peach – Blue Grass” is a reimagination of the emotional heart of the album from a more rootsy perspective. “Mustang Clover – Deluxe” continues the reflective spirit of the opening track and adds emotional texture. “Peach” reveals Mary Knoblock as an artist not afraid to expose truth through sound, emotion, and imagination.
Connect with Mary Knoblock on Website | Facebook | X | Spotify | Instagram | TikTok |
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