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Shady Records Signee Boogie Has Reportedly Altered His Name

Getty Image The rapper is looking to reflect his Compton roots. …

Musicians’ name changes have been the source of some media attention lately after Lady Antebellum and The Dixie Chicks altered their monikers to distance themselves from racist connotations. But there are many other reasons why artists decide to change their titles. Shady Records signee Boogie is now in the latter camp after the rapper has reportedly slightly altered his name.

While Boogie recently released “Boxed In” as his first single of 2020, the song may have been his last under the name. According to a report from HotNewHipHop, the rapper is looking to be known as Westside Boogie in an official capacity. The news of the name change was made clear by his contribution to the LVRN Home For The Holidays compilation, which sees him credited under the new moniker.

The rapper’s decision to adopt the new name reflects his Compton roots, but also comes at an apt time. Not only will his new title save the rapper from an A Boogie Wit Da Hoodie mix up, but Westside Gunn recently announced his decision to leave the Shady Records family. That means Boogie now has the opportunity to be the sole Westside on his label.

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Check out the Home For The Holidays tracklist above.

A Boogie Wit Da Hoodie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

Connect with Aptøsrs on Website | X | Instagram | Facebook | Spotify |

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify

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