Entertainment
Meek Mill Faces Backlash For Telling Philadelphia Rappers To Stop Beefing In The Streets
Fans aren’t happy with Meek Mill after he told fellow artists from Philadelphia to stop beefing. …
Fans aren’t happy with Meek Mill after he told fellow artists from Philadelphia to stop beefing.
Source: Ronald Martinez / Getty
Since Meek is one of the biggest artists to come out of Philly, he tried to use his power and influence to persuade artists in his city to stop all of the violence that’s going on. Unfortunately for him, his good intentions weren’t perceived well by the city’s residents.
“I’ll get all the main big artist in philly a deal if they put them bodies behind them and squash them beefs,” he tweeted. “I hear about ….got some hot young bulls from my city but they all beefing!”
He continued, “And that’s just a idea but I’ll push thru with my city if y’all make it thing! It’s like 5 clicks that’s talented but they deep in! And get they most attention when they beefing!”
While stopping the violence is probably something most people can get behind, the idea of artists putting dead friends and family members “behind them” so that they can move on to get money didn’t go over well folks.
Following his tweets, Philadelphia nastives flooded Meek’s mentions, telling him to stop tweeting, saying he should just help out the city instead, if he feels so inclined. Plus, this had fans wondering why he didn’t give this same ultimatum to the other cities that are home to Dreamchaser artists.
One local rapper by the name of Poundside Pop went on to troll Meek for hanging out with his opposition, saying he’s banned from north Philadelphia.
This cause Meek to flood Poundside’s Instagram comments, telling the rapper that no one can ban him from his city. He goes on to say he’s not going to pick a side in a beef that doesn’t directly involve him.
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Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
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The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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