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Prof, Dem Atlas Accused of Misogyny, Sexual Misconduct
Rappers Prof and Dem Atlas have been dropped from their record label following allegations of “abuse of women,” “misogyny” and “sexual misconduct.”
On Thursday (June 25), Minneapolis, Minn.-based record label Rhymesayers Entertainment announced that they have ended their working relationships with Prof and Dem Atlas. The label’s decision comes after tweets resurfaced of Prof displaying misogyny and accusations of sexual misconduct against Atlas.
Rhymesayers did not specify details of encounters with either artist, but they did release a statement saying that “abuse of women is not acceptable and is not in alignment with our values.”
“The reports of abuse that have come to light this past week are not things that we’ve ever tacitly condoned or were previously aware of,” the statement continues. “We have taken the last few days to process these reports because we felt it was important to allow survivors the opportunity to speak and for us to listen, discuss and reflect before adding our voice to the discussion.”
Rhymesayers also immediately canceled the release of Prof‘s Powderhorn Suites album, which was supposed to be released today (June 26). According to the label, they would no longer be complicit in promoting music about misogyny.
“Effective immediately we have decided to stop, where we can, the release of [Prof’s] upcoming Powderhorn Suites album and end our relationship with Prof and Stophouse Music Group,” the label said. “We have also decided to end our working relationship with Dem Atlas, given recent reports of his behavior.”
Dem Atlas’ reported ex-girlfriend wrote on Twitter, “The first 2 people u ever dated / loved getting called out for being rapists and abusers in the same day is a weird feeling. Even tho it’s true.” She also shared an old photo of herself in the hospital with a bloody nose, her arm in a bandage and injuries to her face. “TW domestic violence: You’ve had these pictures for years, but here’s a reminder,” she tweeted to the Rhymesayers Twitter account. “You knew this happened to me within hours of it happening. I was always josh’s *crazy* gf. 2 years late is better than never I guess.”
A screenshot of a text message also circulated on Twitter. An unnamed woman claims she had a sexual encounter with Dem Atlas that involved him shoving her head down on his genitalia.
Additional details on Rhymesayers cutting ties with Dem Atlas were not shared in the statement. Dem Atlas has not commented on being dropped from the label or the allegations against him.
Prof has addressed the allegations against himself as well as DJ Fundo following tweets of inappropriate comments made by both men about underage girls that surfaced on the internet this week.
“Yesterday we became aware of allegations of sexual misconduct against Chris Young aka DJ Fundo,” Prof’s joint statement with his manager Mike Campbell began. “He was Prof’s tour DJ from 2009 to 2016. First and foremost, we believe women and those who have survived sexual misconduct of any kind.”
The rapper went on to express regret for a number of tweets, a series of Valentine’s Day cards and a song that was released in 2017. “We would like to specifically call attention to a series of Valentine’s Day Cards from 2014, a series of disgusting tweets around 2012, and a song called ‘More More More’ (2017) that are particularly appalling and very regrettable,” the statement continues.
Prof and DJ Fundo’s resurfaced tweets from 2012 were shared by Casey Delgado, also known as DJ Babyghost, who once dated Fundo and shared her encounter with him as well.
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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.