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Rapper Cliassy Fp Unveils Epic New Album DinnerTime 4

Rising rapper Cliassy Fp – from Austin, Texas and based in Houston – has returned with his must-hear new album, DinnerTime 4, a ten-track collection of authentic and diverse hip-hop in all its glory. The independent rapper has been going from strength to strength in 2021 – the album’s lead single “Outside” made waves organically and new single “Too Much” looks set to be his biggest single to date.

Inspired by the likes of Static Major, Ryan Leslie and 50 Cent, Cliassy Fp showcases his huge range of talents across the new project – from his natural rap flow and diverse cadence to his impressive lyricism and storytelling abilities. Speaking more on the project, Cliassy Fp says, “The idea of ‘Dinnertime’ came about from one of my favourite producers/songwriters, Static Major. Before his death, he was working on an EP called Suppertime, so in honour of him, I decided that all my solo projects would be titled Dinnertime. DinnerTime 4 is my best work yet!”

New single “Too Much” is one of several standout tracks on the project and showcases Cliassy Fp’s versatility as a rapper, switching from the aggressive and hard-hitting previous single “Outside” and moving to a slower and more melodic pace. It’s this ability to excel in both lanes and shift between the two seamlessly that makes Cliassy Fp such an exciting artist and one to watch out for.

Expanding further on “Too Much”, Cliassy Fp says, “The track features one of my favourite artists from Austin, Texas – The Teeta. It’s aimed towards my lifestyle. I like nice things, and I work hard for everything I have, but some people think it’s boujee or cocky. Innocent Tata is an artist from Houston, Texas, and we linked up through a mutual friend. It all came together perfectly.”

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“Too Much” and the rest of DinnerTime 4 are available to buy/stream now on all platforms: https://lnk.to/dinnertime4.

Keep up to date with the latest from Cliassy Fp: Instagram | Twitter | Facebook | Spotify

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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