Artist Spotlight

Born 2 B Bridges Jazz and Hip-Hop with “Born 2 B’s Riddim”

“Born 2 B’s Riddim” by Born 2 B is a masterclass in jazz-infused hip-hop, with warm basslines, horn-driven melodies, and dusty beats that feel both new and old. The production of the song is based on the sounds of live Jazz and is firmly rooted in Boom-Bap. It draws on the styles of Ninja Tune and Us3.

The single tells a story through movement. The lyrics of Born 2 B are influenced by UK Hip-Hop and have a mix of thoughtful storytelling and clever rhythmic phrasing. The horns and percussion hits feel both planned and natural, making the song swing without losing its lyrical focus.

“Born 2 B’s Riddim” is a celebration of culture. Jazz fans will like the live sounds, and hip-hop fans will like the classic boom-bap beats. The song is a rare mix of looking back with respect and looking forward with hope.

Born 2 B gives you a rich, multi-layered listening experience if you want depth in both the music and the lyrics. This single shows that he is still committed to bridging genres and honoring the roots that shaped him, all while putting his own unique stamp on the music.

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Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube